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sebells upon a crystal sleigh. Up slowly until, the horse carriage wet and coming up the evening walk pauses; then snow before a vanished world. 56 *************************************************************** ORIFICE To perforate in adumbration, as obviator, the sphincter muscle of intensity; then paint the world in aperture, a picture of one's mind. 57 *************************************************************** PECULIAR MORNING As if every living thing lived, breathed its existence explained why water took the shape of a container, studied sharpened awareness of cold, broke night spots onto a peculiar morning. 58 *************************************************************** WHERE A dark, shadow grey moth rests along the grim hue of brick, its spattered orange cream underwings scream a Halloween defiance to the bleariness of stone and city. And before each fold of its wings, there rests beyond all the pale fire and din of a thousand slow eyed empires, feeling the seethe of their existence spent in a fidgeting cauldron where mediocrity camps with her dangerous throne. 59 *************************************************************** THE TREASURE SHIPS Rich ornamental procession enough wealth to dazzle a Prester John, Sheba's queen, even the fawning burghers of Rothschild's domain. Reams of it, Park Avenues in torrents down a mountain side; Eldorados, the gardens of Babylon become shimmering in the sun; this vulgar display, this sheer ostentation. Such are the waters of the rich I now approach. Peach gold fabulous wealth. More men of substance here than all the proverbial luxury since antiquity, - talents, ingots, ducats - bars so heavily encrusted with gems the very floor boards groan with the largesse. Never a Buddha's tooth Pierpont scheme, crown or outstretched finger did circumnavigate more treasure than this eye swelling around that one treasure chest procured. Like a ship glutting the Spanish Main - my treasure ship - she vies with me my memories Midas' gold or Krupp's iron wealth secured all of which is a ransom parleying against the crowned heads of this world. 60, 61 *************************************************************** HANNIBAL When Hannibal mowed down Romans with elephants, his skill, his artistry, had the effect of a painter's brush. He, scraping paint off an easel, would thrust empires down, trample Graeco - Romish i
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