!
the knowledge of that alone has saved me from misanthropy.'"

[Footnote 2: Maria del Occidente--otherwise, we believe, Mrs.
Brooks--is styled in "The Doctor," &c. "the most impassioned and most
imaginative of all poetesses." And without taking into account _quaedam
ardentiora_ scattered here and there throughout her singular poem,
there is undoubtedly ground for the first clause, and, with the more
accurate substitution of "fanciful" for "imaginative" for the whole of
the eulogy. It is altogether an extraordinary performance.--_London
Quarterly Review._]

In December, 1843, Mrs. Brooks sailed the last time from her native
country for the Island of Cuba. There, on her coffee estate, Hermita,
she renewed for a while her literary labors. The small stone building,
smoothly plastered, with a flight of steps leading to its entrance, in
which she wrote some of the cantos of "Zophiel," is described by a
recent traveler[3] as surrounded by alleys of "palms, cocoas, and
oranges, interspersed with the tamarind, the pomegranate, the mangoe,
and the rose-apple, with a back ground of coffee and plantains
covering every portion of the soil with their luxuriant verdure. I
have often passed it," he observes, "in the still night, when the moon
was shining brightly, and the leaves of the cocoa and palm threw
fringe-like shadows on the walls and the floor, and the elfin lamps of
the cocullos swept through the windows and door, casting their lurid,
mysterious light on every object, while the air was laden with mingled
perfume from the coffee and orange, and the tube-rose and
night-blooming ceres, and have thought that no fitter birth-place
could be found for the images she has created."

Her habits of composition were peculiar. With an almost unconquerable
aversion to the use of the pen, especially in her later years, it was
her custom to finish her shorter pieces, and entire cantos of longer
poems, before committing a word of them to paper. She had long
meditated, and had partly composed, an epic under the title of
"Beatriz, the Beloved of Columbus," and when transmitting to me the
MS. of "The Departed," in August, 1844, she remarked: "When I have
written out my 'Vistas del Infierno' and one other short poem, I hope
to begin the penning of the epic I have so often spoken to you of; but
when or whether it will ever be finished, Heaven alone can tell." I
have not learned whether this poem was written, but when I heard her
repeat passag