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h tomahawk and knife Through the advancing circle, but in vain, They fall beneath the stalwort blows of men Who long had suffered under savage hate. Hunters and settlers of the valley roused At length to vengeance. With a rapid hand The blockhouse-door I opened and rushed out, Wielding my rifle. Youth, this arm is old And withered now, but every blow I struck Then made the blood-drops spatter to my brow, Until I bathed in crimson. With deep joy I felt the iron sink within the brain And clatter on the bone, until the stock Snapped from the barrel. But the fight soon passed, And as the last red foe beneath my arm Dropped dead, I sunk exhausted at the feet Of my preservers. A wild, murky gloom, Filled with fierce eyes, fell round me, but kind Heaven Lifted at length the blackness; on my soul The keen glare fell no more, and I arose With the blue sky above me, and the earth Laughing around in all its glorious beauty." [Illustration: The Departure From H. C. Corbould. Drawn with alterations & engraved by Geo. B. Ellis Engraved expressly for Graham's Magazine] THE DEPARTURE. BY MRS. ANN S. STEPHENS. [Entered According to Act of Congress in the year 1848, by EDWARD STEPHENS, in the Clerk's office of the District Court of the United States for the Southern District of New York.] [SEE ENGRAVING.] CHAPTER I. Oh do not look so bright and blest, For still there comes a fear, When hours like thine look happiest, That grief is then most near. There lurks a dread in all delight, A shadow near each ray, That warns us thus to fear their flight, When most we wish their stay. MOORE. Far down upon the Long Island shore, where the ocean heaves in wave after wave from the "outer deep," forming coves of inimitable beauty, promontories wooded to the brink, and broken precipices against which the surf lashes continually, there stood, some thirty years ago, an old mansion-house, with irregular and pointed roofs, low stoops, gable-windows, in short, exhibiting all those architectural eccentricities which our modern artists strive for so earnestly in their studies of the picturesque. The dwelling stood upon the bend of a cove; a forest of oaks spread away some distance behind the dwelling, and feathered a point of land that formed the eastern circle down to the water's edge. In an o
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