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real genius. THE END. NOTE.--The writer wishes gratefully to record the very able assistance given by Mr. Barrett, of 131, Oxford Road, Manchester, in his most careful rendering of the various stages of the foregoing work in photography, from which blocks have been made. ADVERTISEMENTS. TWENTIETH YEAR OF ISSUE. _The Largest Circulation in the World of any paper amongst Violinists._ THE STRAD _A Monthly Journal for Professionals and Amateurs of all Stringed Instruments played with the Bow_. Published on the First of every Month. Price 2d. Annual Subscription, Post Free, 2s. 6d. Foreign Subscription, Post Free, 3s. THE STRAD is the only recognised organ of the string family and has subscribers in every country of the civilised world. Our circulation has increased to so great an extent that we are enabled to engage as contributors THE LEADING WRITERS in the VIOLIN WORLD. THE STRAD contains technical articles by the leading artists. THE STRAD, in the answers to Correspondents column, gives minute information by Experts on every detail connected with the Violin. THE STRAD gives all the important doings of Violinists at home and abroad all the year round. THE STRAD gives early critical notices of all important New Music for Stringed Instruments with numbers to show the grade of difficulty of every piece. THE STRAD gives every month beautifully-executed Portraits, on fine art paper, of leading celebrities in the Violin world, together with biographical sketches. Specimen Copy. 2-1/2d., Post Free. All Subscriptions, Advertisements, etc., to be addressed to the Manager, HARRY LAVENDER, 3, Green Terrace, Rosebery Avenue, London, E.C. "THE STRAD" LIBRARY, No. I. _Crown 8vo., Cloth, 2/6, Post Free, 2/9._ _"THE STRAD" LIBRARY EDITION is the only Authorised Edition of_ Technics of Violin Playing ON JOACHIM'S METHOD BY CARL COURVOISIER, With Folding Plates, containing Fifteen Illustrations. LETTER FROM DR. JOACHIM. [COPY.] MY DEAR MR. COURVOISIER: I have read the book on Violin Playing you have sent me, and have to congratulate you sincerely on the manner in which you have performed a most difficult task, _i.e._, to describe the best way of arriving at a correct manner of playing the violin. It cannot but be welcome to thoughtful teachers, who reflect on the method of our art, and I hope that your work will prove useful to many students. Belie
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