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inside--what you know yourself to be true. "You men who learn how to break away are our only hope, too. Most of us don't see that yet. I do; I know what it used to be like. Someday there may be enough men with the stamina to take back the place of dominance that we stole from them. We thought we wanted it; for decades before we had been screaming about women's rights." Her thin lips twisted in a sneer and she spat her disgust. "Finally we took what we wanted, and it turned to ashes in our hands. We made our men playthings; we made them slaves. And after that they weren't men any more. But what we stole isn't the sort of thing you can hand back on a silver platter; you men have to get enough courage to take it away from us." Her grip tightened on his arm. "There's a fire door at the end of the hall; if you push the emergency button, you'll close it. That will give you a five or ten minute start. I can't help you any more...." They were abreast of Jenny. She seized Jenny's hand and thrust it into his. "Beat it, kids; there's a bachelor camp on the north ridge. You can make it. "And from here on in, what he says goes," the old woman added. "Don't forget that." "She won't," George answered, supremely self-assured. He took Jenny's arm and, turning abruptly, they made their break for freedom. The Director managed to remain standing in the middle of the corridor, making a dangerous target of herself so that none of the Morals Squad could risk a shot at the fugitives. As the fire door clanged shut George looked back. He saw the old woman's lips moving in silent prayer. * * * * * End of the Project Gutenberg EBook of Love Story, by Irving E. Cox, Jr. *** END OF THIS PROJECT GUTENBERG EBOOK LOVE STORY *** ***** This file should be named 32078.txt or 32078.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/2/0/7/32078/ Produced by Sankar Viswanathan, Greg Weeks, and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General
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