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ubborn nationality, a civilization wonderful but low, which in every department, from the act of government to the art of writing, appears to have remained as nearly as possible at a fixed point for about two thousand years. The mummy, as it is the characteristic product, is the fit emblem of ancient Egypt. Yet material happiness appears to have been enjoyed. From sports, from caricatures, from the fanciful decorations of their houses, from their use of music as a daily recreation, we should judge that the Egyptians were not a gloomy people; and that their social and political system aimed, though imperfectly, at a high standard, may be inferred from the reverence, however exaggerated, which was entertained for it by the Greeks. "Egyptian history is the 'dynasties' of Manetho partly filled up and illustrated, and in time it is to be hoped to be filled up and illustrated still more from the monuments, paintings, and inscriptions. For this, with its thirty dynasties, its twenty centuries, and its chronological difficulties, still formidable though much reduced, we must refer the reader entirely to Mr. Kenrick's second volume, of which it occupies nearly the whole. The slight sketch above given indicates the contents of what will be to the general reader the more interesting part of the work. In conclusion, we once more cordially commend the book. It displays not only the ordinary merits of a good synopsis, such as clearness of style and of arrangement, but also a high power of combination, and, where the author treats of philosophical questions, a sound and sensible philosophy. On some points, perhaps, Mr. Kenrick might have spoken with more authority had he personally visited Egypt, and the imagination of his reader would be assisted by a well selected volume of plates. We are glad to see that Syria and Phoenicia are to form the subject of another publication by the same hand." FOOTNOTES: [15] _Ancient Egypt under the Pharaohs._ By John Kenrick, M. A. In two volumes. London: B. Fellows. CAMILLE DESMOULINS. In an admirable life of Camille Desmoulins, recently published in Paris, by M. Edmond Fleury, his summing up of the character of the _Vieux Cordelier_, presents a type of some of the heroes of the revolution of 1848:-- "Such was Camille Desmoulins. I have traced his portrait without pity, without hatred, I dare not say without passion. In him I wished to mark the truest and most finished type of th
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