FREE BOOKS

Author's List




PREV.   NEXT  
|<   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46  
47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   >>   >|  
strives against adverse circumstance upon an ordinary, often an humble, plane of society, never travelling for a moment beyond the possibilities of everyday existence. This ominous dismissal of the male hero from his previous position in the centre of the story's movement may be taken as a sign that he is not of so much account in the sphere of domestic fiction as he was erst in the arena of perilous adventure. It is true that mankind is still glorified by Ouida, a lady who may yet be occasionally found sitting, almost alone, by the shores of old Romance; but with Mrs. Gaskell, Mrs. Oliphant, Miss Broughton, and even Miss Braddon, the majority of their leading characters may be said to be female. And the most deservedly popular of our latest novels by women is _Marcella_. We must not be understood to maintain that the Novel of Manners has been, or is being, completely monopolised, as a department of light literature, by women, for of course there are many men who are achieving success in that field, among whom Henry James holds a high place for distinction and delicacy of workmanship. And among certain special branches in which women have not as yet competed at all, we may mention the Sporting Novel, where provincial manners and the humour of the coverside have been portrayed by Surtees with wonderful exactitude and a kind of coarse yet irresistible comicality that remind one of Fielding. It is true that he never moralises, as Fielding does; but then the interjection by the author of moral reflections went out, as we have said, with Thackeray. The description of landscape drawn from nature occupies large and extending space in the latter-day novel of manners, where it is used very sparingly as subservient to character or situation, but commonly as an illustration or pictorial background. Let us compare the two following extracts. The first is from Jane Austen's _Mansfield Park_: 'Now we shall have no more rough road, Miss Crawford; our difficulties are over. The rest of the way is such as it ought to be. Mr. Rushworth has made it since he succeeded to the estate.--Here begins the village. Those cottages are really a disgrace. The church spire is reckoned remarkably handsome. I am glad the church is not so close to the great House as often happens in old places. The annoyance of the bells must be terrible. There is the parsonage, a tidy-looking house, and I understand the
PREV.   NEXT  
|<   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46  
47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   >>   >|  



Top keywords:

Fielding

 
manners
 
church
 

nature

 
occupies
 
extending
 
terrible
 

subservient

 

description

 

sparingly


landscape
 

places

 

annoyance

 

Thackeray

 
coarse
 
irresistible
 

exactitude

 

wonderful

 

portrayed

 
understand

Surtees
 

comicality

 

remind

 

author

 
reflections
 

interjection

 

parsonage

 
moralises
 

Crawford

 
cottages

difficulties
 

disgrace

 

succeeded

 

estate

 

village

 
Rushworth
 

background

 

compare

 

pictorial

 
situation

begins

 

commonly

 

illustration

 

reckoned

 
Mansfield
 

coverside

 

Austen

 
extracts
 

handsome

 

remarkably