s applied the wax will not adhere. When
the petal is all one colour, pass the brush from you quickly and lightly
off the same on to the paper. If it is a variegated petal, bring the
brush towards you. This will enable you to soften off the edges of the
spots which are to be left free from colour. When moisture is required
in the brush, the latter must not be plunged into water, but a small
drop taken up by the handle on to the paper.
TO CLEANSE THE SCISSORS, PINS, AND MARBLES.
Dip either into boiling water, and wipe them immediately. The marbles
require to be used warm.
EXPLANATION OF BOTANICAL WORDS.
Although I do not pretend to put this forth as a "Botanical work," I
deem it necessary that I should make use of certain words in application
to forming the different parts of a flower; I shall give an explanation
of such botanical words as I must occasionally make use of in the course
of my instructions.
COROLLA signifies a flower deprived of its centre. For example: the
corolla of a rhododendron falls from its position, leaving the interior
of the flower pendent to the stem. The convolvulus has a funnel-shaped
corolla.
PETAL. This is part of the corolla, and what is termed, by the
uninformed--leaf; for instance, we hear of drying rose leaves, when in
fact it is the petals that are alluded to. The term leaf should only be
applied to the foliage.
PISTIL, or PISTILLUM, is that part of a flower which projects directly
from the centre, and is longer than the rest; we observe it in the white
lily, fuchsia, honeysuckle, etc. The enlargement at the end of the
pistil is termed stigma.
STAMENS, or STAMINA, signify the filaments that surround the pistil; and
the enlarged part at the end of each filament is called anther.
FARINA is the fine dust which is contained in the anther, and which
shows itself also outside.
CALYX is applied to the green attached to the flower. For example: the
part that is covered with moss about the rose is the calyx. Sometimes
the calyx is covered with down, as in geranium, primrose, etc.
STIGMA. The enlargement at the end of the pistillum.
HOW TO COPY FROM NATURE.
To take the pattern of a natural flower, you must remove the petals
carefully, sorting out how many there are of an equal size. Take the
shape of one out of each set, in the following manner: Place the petal
upon a sheet of writing paper, holding it firmly to the paper with the
point of the fore finger of the
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