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!" or "Here we are again!" But in practice it is the one sound in the whole landscape that never interjects. It is a monument of barren reiteration. I wonder why he does it. No doubt he has some end in view. He must get something out of it--some bodily ease or mental stimulus or spiritual consolation. But he must surely have been born with a prodigious passion for monotony. It may surprise you to learn that in the course of the season he will make that same remark over two million times. I have worked it out. Two million is a conservative estimate. It only allows for eight hours' work out of the twenty-four, for a term of six weeks: so that it is well within the mark. Our corncrake--I don't know what the usual standard may be--does ninety-eight to the minute. He is as regular as the ticking of a clock. You can't hustle him and you can't wear him out. At times when I have thought he might be getting tired and thirsty I have imagined that he was slowing down; but he never gets below ninety-six; and in his most active and feverish moments he very rarely touches the hundred. At short measured intervals he punctuates the night with his dry delivery, unhasting yet unresting, his sole idea to get his forty-seven-thousand up without a break before the morning. He just doesn't know the meaning of the word emphasis; he has absolutely no sense of rhythm. Once I tried to believe that he was talking in three-four time, or at least that he was occasionally accenting a note. But he never does. He gets no louder or softer, higher or lower, quicker or slower--he just keeps on. You need not suppose that I have meekly sat down under this thing. This is his sixth year, and I have been at war with him all the time. But finally he holds the field, and my only hope now is that his powers may begin to fail as old age creeps on. Even if he dropped to eighty a minute it would be an intense relief. But I dare say he means to bequeath the pitch to a successor at his death--perhaps to a relative. At first I used to throw things at him out of the bedroom window--hairbrushes and slippers and books and all sorts of odds and ends. I had to go round with a basket after breakfast collecting them. But it was no good; he never dropped a beat. Then I deliberately devastated the garden, with a view to deprive him of cover. I had all the bushes taken up and the flowerbeds removed, and I laid down, just under my bedroom window, a wide expanse of tar-mac
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