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uch wool on it, as not at all to hurt her. [Illustration] The next adventure and misfortune of poor Puss, was, to examine the contents of a pigeon cote in the neighbourhood. After climbing up a great height, she contrived to leap down on the board, and got in among the pigeons, where she made sad havoc among the young birds; but, the master hearing a great noise, went up, and Puss escaped through the door, or she would have paid the penalty with her life. Puss would no doubt feel very miserable after this wholesale murder, which she had committed among the pigeons, for she had killed about a dozen of them. She had escaped many deaths, and as she was now getting old, she thought it high time to reform. Cats have always had a bad character for stealing, and too frequently have they merited it. The most degrading circumstance in the history of poor Puss, is the following. Puss had jumped from the gateway into the street, where an Italian was playing an organ, with a dressed up monkey by his side. The monkey at once ran after Puss, and seizing her by the tail, bit off the greatest part of it. This misfortune she took so to heart, that she never afterwards rallied. She was seldom seen in the house. She became asthmatical; and after lingering some time, she departed this life, to the great grief of her numerous friends and relatives, among whom she was highly respected. On earth short was her stay, Her trials were severe; But she has passed away, And gone we know not where. [Illustration] _Gill, Printer, Easingwold._ End of Project Gutenberg's The Life and Adventures of Poor Puss, by Lucy Gray *** END OF THIS PROJECT GUTENBERG EBOOK POOR PUSS *** ***** This file should be named 23686.txt or 23686.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/3/6/8/23686/ Produced by Alexander Bauer and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copy
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