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hstanding a liking for me, remarked with feeling, "She's a wonder! I don't see how you got her." To which I replied, "Neither do I." In setting down these derogatory comments I do not wish to imply that I was positively detested but that I was not a beloved county institution was soon evident to my wife. Delegations of school children did not call upon me, and very few of my fellow citizens pointed out my house to travelers--at that time. In truth little of New England's regard for authorship existed in the valley and my head possessed no literary aureole. The fact that I could--and did--send away bundles of manuscript and get in return perfectly good checks for them, was a miracle of doubtful virtue to my relatives as well as to my neighbors. My money came as if by magic, unasked and unwarranted, like the gold of sunset. "I don't see how you do it," my Uncle Frank said to me one day, and his tone implied that he considered my authorship a questionable kind of legerdemain, as if I were, somehow, getting money under false pretenses. Rightly or wrongly, I had never pretended to a keen concern in the "social doings" of my village. Coming to the valley out of regard for my father and mother and not from personal choice, the only folk who engaged my attention were the men and women of the elder generation, rugged pioneer folk who brought down to me something of the humor, the poetry, and the stark heroism of the Border in the days when the Civil War was a looming cloud, and the "Pineries" a limitless wilderness on the north. Men like Sam McKinley, William Fletcher, and Wilbur Dudley retained my friendship and my respect, but the affairs of the younger generation did not greatly concern me. In short, I considered the relationship between them and myself fortuitous. Absorbed in my writing I was seldom in the mood during my visits to entertain curious neighbors, in fact I had met few people outside my relatives. All this was very ungracious, no doubt, but such had been my attitude for seven years. I came there to work and I worked. Even now, in the midst of my honeymoon, I wrote busily. Each morning immediately after breakfast I returned to my study, where the manuscript of a novel (_Her Mountain Lover_) was slowly growing into final shape, but in the afternoons Zulime and I occasionally went sleighing with Dolly and the cutter, or we worked about the house. It was a peaceful time, with only one thought to stir the p
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