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ng up obliquely to the sky, as if the giant arm of the mine were upraised to protest for ever against the villainy and the too confiding folly that had left it standing there--a monument of wasted and misdirected energy--a caution to all speculators--a deserted mine--in the language of miners, a "knacked bal." There are many such "knacked bals" in Cornwall, with their iron "bobs"-- horizontal, depressed, or raised aloft, according to the attitude in which they expired--holding forth similar firm, silent, and perpetual protests and cautions. Many Wheal Dooems (which having accomplished their ends may now be termed Wheal Donems) are to be seen all over the country on gorse-clad hills and on bold headlands; but, alongside of these, may be seen their venerable ancestors, still alive and working; subject, indeed, at times, to fits of depression, when, as their indomitable and unconquerable managers will tell you, "the price of tin is low," and subject also to seasons of revival, when they are getting a "little better price for tin," but still working on with untiring persistency whether the price of tin be high or low. Chief among these, our chosen type, Botallack, may be seen bristling on the grey cliffs of the "far west" with the Atlantic winds and spray revelling amongst its machinery, and the thunder of its stamps giving constant token that hundreds of stout-hearted, strong-limbed Cornishmen are still hewing out tin and copper from its gloomy depths, as they did in days gone by, and as they will, doubtless, continue to do in time to come--steadily, sternly, manfully doing their work of sinking and extending the mine deeper down under the sod and further out under the sea. THE END. End of the Project Gutenberg EBook of Deep Down, a Tale of the Cornish Mines, by R.M. Ballantyne *** END OF THIS PROJECT GUTENBERG EBOOK DEEP DOWN *** ***** This file should be named 21726.txt or 21726.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/1/7/2/21726/ Produced by Nick Hodson of London, England Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules,
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