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reated either during the lifetime, or as a memorial immediately after his death, to Caius Julius Antiochus Philopappus, a descendant of the royalty of Syria, and an adopted citizen of Athens. It consists of a basement supporting a pilastrade of semi-circular form, and presenting upon its concave surface three niches, containing sitting statues, and three recesses richly ornamented with the representation in strong relief of a Roman triumph. Upon the basement also were various sculptures in honor of the Emperor Trajan. These, and, indeed, all the decorative sculpture, &c., profusely lavished upon this building have suffered greatly. The two remaining statues are much dilapidated. From this point a magnificent view of the Acropolis is obtained, and few are the sights presented to the traveller, which surpass in historic interest or actual beauty that meeting his eye, to whichever point of the compass he may turn when standing at the foot of this remarkably picturesque monument. [Illustration: MONUMENT OF PHILOPAPPUS.] The ages which produced these marvellous works in architecture had other and different glories. Painting and sculpture reached the highest perfection; and poetry exhibited all the grace and vigor of the Athenian imagination. And though time has effaced all traces of the pencil of Parrhasius, Zeuxis, and Apelles, posterity has assigned them a place in the temple of fame beside Phidias and Praxiteles, whose works are, even at the present day, unrivalled for classical purity of design and perfection of execution. And after the city had passed her noon in art, and in political greatness, she became the mother of that philosophy at once subtile and sublime, which, even at the present hour, exerts a powerful influence over the human mind. This era in her history has been alluded to by Milton: "See there the olive grove of Academe, Plato's retirement, where the Attic bird Trills her thick-warbled notes the summer long; There flowery hill Hymettus with the sound Of bees' industrious murmur oft invites To studious musing; there Ilyssus rolls His whispering stream; within the walls then view The schools of ancient sages; who bred Great Alexander to subdue the world, Lyceum there and painted Stoa next; ... To sage philosophy next lend thine ear. From Heaven descended to the low roof'd house Of Socrates; see there his tenement, Whom, well inspired, the or
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