reated either during the lifetime, or as a memorial immediately
after his death, to Caius Julius Antiochus Philopappus, a descendant of
the royalty of Syria, and an adopted citizen of Athens. It consists of a
basement supporting a pilastrade of semi-circular form, and presenting
upon its concave surface three niches, containing sitting statues, and
three recesses richly ornamented with the representation in strong
relief of a Roman triumph. Upon the basement also were various
sculptures in honor of the Emperor Trajan. These, and, indeed, all the
decorative sculpture, &c., profusely lavished upon this building have
suffered greatly. The two remaining statues are much dilapidated. From
this point a magnificent view of the Acropolis is obtained, and few are
the sights presented to the traveller, which surpass in historic
interest or actual beauty that meeting his eye, to whichever point of
the compass he may turn when standing at the foot of this remarkably
picturesque monument.
[Illustration: MONUMENT OF PHILOPAPPUS.]
The ages which produced these marvellous works in architecture had other
and different glories. Painting and sculpture reached the highest
perfection; and poetry exhibited all the grace and vigor of the Athenian
imagination. And though time has effaced all traces of the pencil of
Parrhasius, Zeuxis, and Apelles, posterity has assigned them a place in
the temple of fame beside Phidias and Praxiteles, whose works are, even
at the present day, unrivalled for classical purity of design and
perfection of execution. And after the city had passed her noon in art,
and in political greatness, she became the mother of that philosophy at
once subtile and sublime, which, even at the present hour, exerts a
powerful influence over the human mind. This era in her history has been
alluded to by Milton:
"See there the olive grove of Academe,
Plato's retirement, where the Attic bird
Trills her thick-warbled notes the summer long;
There flowery hill Hymettus with the sound
Of bees' industrious murmur oft invites
To studious musing; there Ilyssus rolls
His whispering stream; within the walls then view
The schools of ancient sages; who bred
Great Alexander to subdue the world,
Lyceum there and painted Stoa next; ...
To sage philosophy next lend thine ear.
From Heaven descended to the low roof'd house
Of Socrates; see there his tenement,
Whom, well inspired, the or
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