C

CABANNE, WILLIAM CHRISTY, 252.

Camera, 18.

Cameraman, 18.

Camera tricks, 181-185.

_Cask of Amontillado, The_, 348-350.

Cast, 18, 31, 32, 37, 109-130, 370.

Censorship, 282-289, 341.

Center of interest, 141-143.

Changes of scene, 144-161.

Characters, 18, 109-130, 140, 142, 315, 316, 337, 338.

Child actors, 279, 288.

_Class Reunion, The_, 353.

_Cleopatsy_, 342.

Climax, 26, 194.

Close-up, 18, 166-176.

COFFEY, ROBERT E., 297.

COHAN, GEORGE, 289.

COLLINS, WILKIE, 305.

Comedy Photoplays, 2, 83, 84, 324-346.

_Coming Nation, The_, 292, 293.

Complication, 89.

Conciseness, 198, 199.

Continuity: See "Scenario."

COOPER, FREDERICK TABER, 356.

Cooper-Hewitt lights, 247.

_Cord of Life, The_, 155, 156.

Costume plays, 280.

_Count of Monte Cristo, The_, 189, 190.

COWELL, HARRY, 75, 77.

Crime in photoplays, 284, 285.

Cut-back, 19, 152-157.

Cut-in, 19, 158-161, 233-237.

Cutting, 19.

D

_Daphne and the Pirates_, 253.

Denouement, 89.

_Devil Stone, The_, 236, 237, 321.

Dialogue, 3, 200, 201.

Diaphragm, 19, 20.

Diaphragming-in and -out: See "Fade-in," and "Fade-out."

DICKENS, CHARLES, 185-187.

Director, 20, 115, 116, 212-214.

Doing a picture, 20.

Double exposure, 20, 185-188.

DOYLE, A. CONAN, 348-351, 354.

_Dramatic Mirror, The_, 140, 263, 357.

Dramatic photoplay, The, 2.

Dreams, 176-181.

DREW, JOHN, 333.

DREW, MR. AND MRS. SIDNEY, 329, 333-335.

Dual-character films, 185-188.

_Duchess at Prayer, The_, 348.

DUMAS, ALEXANDER, 189.

E

_Eagle's Eye, The_, 181-183, 196, 274.

EDISON, 3, 78, 111, 172, 275, 297, 358-360.

_Editing a Motion Picture_, 227.

Editor, 20, 84, 85.

Educational films, 2, 3.

"EDWARDS, JOHN MILTON," 82.

_Eight Bells_, 326.

Episode, 194.

ESSANAY, 77.

_Everybody's Girl_, 363-407.

Expense of production, 268-281.

Exteriors, 20, 248, 249.

Extras, 21.

Extravaganza, 326.

F

Fade in, 21.

Fade out, 21.

FAIRBANKS, DOUGLAS, 2, 102.

"Faked" scenes, 269-272.

FAMOUS PLAYERS, 189, 190.

Farce, 2, 324, 325.

FARNUM, WILLIAM, 186.

Feature photoplays, 24, 188-193.

_Fiction Factory, The_, 82.

Fiction writing an aid to photoplay writing, 5-16.

_Figaro, Paris_, 308, 309.

FILDEW, WILLIAM E., 252, 253.

Film, 21, 22.

FINE ARTS, 253.

FISHER, "BUD," 343.

Footage, 22.

Fox, 186-188.

Frame, 22.

FROHMAN, DANIEL, 304.

G

GOLD