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in imagination, the nations of the realm as they walked through London, its capital, while all the world .wondered. He attended, in heart, the simple service at St. Paul's Cathedral, where he himself was to find a last resting-place, sleeping with the worthies. He could picture the great fleet, seal of the sea-power which made all possible, spread itself athwart the Solent. Yes Sir George Grey heard, from afar, the 'tumult and the shouting,' and they rounded off his own career as the True Briton and True Imperialist. He heard also, amid the glorious rumble, of another royal progress made by the Queen. It was at her Highland home, the spectators the eternal hills which lie about it. For caparisoning there was a donkey-chaise, and for escort a Highlander, carrying the shawls. The Queen was bound for the manse, across the fields by the river-side, to pray with the minister's wife that he, being ill, might be made whole. That was the royal progress Sir George Grey would best have liked to see, because it held the key to the other. From it, he sent, by his friend the Prime Minister of New Zealand, a last message to Greater Britain. 'Give the people of New Zealand my love,' it ran, 'and may God have you in His keeping? It was the closing of the book, save for the blank pages which occur at the end. 'It's all light,' was Selwyn's dying exclamation in Maori. None knew the Maori words that Sir George Grey murmured, and none doubted what they were. To us, the island race of two worlds, Under the Cross of Gold, That shines over city and river, There he shall rest for ever, Among the wise and the bold. THE END End of Project Gutenberg's The Romance of a Pro-Consul, by James Milne *** END OF THIS PROJECT GUTENBERG EBOOK THE ROMANCE OF A PRO-CONSUL *** ***** This file should be named 16928.txt or 16928.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/6/9/2/16928/ Produced by James Tenison Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and
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