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ick; but"--she hesitated on the threshold of the window"--the worst of it is, I think I understand you a little." I drew back into the shadow. Her stiff skirt almost struck me on the cheek as she passed, and, crossing the verandah, leant with both hands on the rail, while her face went up to the sky and the newly risen moon. A voice spoke to her from the moonlit terrace below. "Hallo!" she answered. "Is that Captain Branscome?" "It is, ma'am: _and_ Miss Plinlimmon--Amelia--as she allows me to call her." Miss Belcher cut him short with a laugh. It rang out frank and free enough, and only I, crouching by the wall, understood the hysterical springs of it. "You two geese!" she exclaimed, and ran down the steps to them. "Was that Lydia?" demanded Mr. Rogers, a moment later, as he came along the verandah. "It was," I answered. "I don't understand these people," grumbled Mr. Rogers, pausing and scratching his head. "There was to have been a meeting outside here, directly after supper, to divide off Doctor Beauregard's share; but confound it if every one don't seem to be playing hide-and-seek! Where's the Doctor?" "In the dining-room," said I, nodding towards the window. . . . He stepped towards it. At that moment I heard a dull thud within the room, and Mr. Rogers, his foot already on the threshold, drew back with a cry. I ran to his elbow. On the floor, stretched at her master's feet, lay the negress Rosa. Dr. Beauregard stood by the corner of the table, and poured himself a small glassful of curacoa. While we gazed at him he reached out a hand to the icebowl, selected a small piece, and dropped it delicately into the glass. I heard it tingle against the rim. "Your good health, sirs!" said Dr. Beauregard. He sat back rigid in his chair. THE END. End of Project Gutenberg's Poison Island, by Arthur Thomas Quiller-Couch (Q) *** END OF THIS PROJECT GUTENBERG EBOOK POISON ISLAND *** ***** This file should be named 16604.txt or 16604.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/6/6/0/16604/ Produced by Lionel Sear Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States witho
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