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his son, but he also left a will with some remarkable clauses which made it necessary for _J.J.J., Junior_, to work and wait for his inheritance; and it is the tale of his search for it that Mr. SHAUN MALORY tells us here. Perhaps I have known treasure-hunts in which I have followed the scent with a more abandoned interest. But we are given some fine hunting, with a surprise at the end of it, and what more can treasure-hunters, or we who read of them, possibly want? The date of this quest is modern, and more than once I found myself thinking that the twentieth century was not the fittest period in which to lay such a plot as this. But I am content to believe that Mr. MALORY knows his business better than I do, and as--like a good huntsman--he has left me with a keen desire to go a-hunting with him again, I beg to thank him for my day's sport. * * * * * [Illustration: "'ELLO, DOROFEE WATKINS, I SEE YER HIDING THERE!"] * * * * * OUR ERUDITE CONTEMPORARIES. "After the tremendous battles of the present war, even such actions as Marlborough's victories--Dettingen, Luicelles, Vittoria, Waterloo, and Inkerman--seem insignificant by comparison."--_Daily Paper_. We don't suppose the shades of GEORGE II., WELLINGTON and RAGLAN will worry much about this annexation of their triumphs, but Lord LAKE'S ghost will be seriously annoyed at the misspelling of Lincelles. * * * * * Extract from a letter received from a well-known wholesale tobacconist:-- "We think that if you will apply to either of the three tobacconists, whose names and addresses we append, you will have no difficulty in obtaining an inadequate supply for your requirements." Judging by our own experiences we are jolly well sure of it. ***END OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOL. 156, APR 2, 1919*** ******* This file should be named 11617.txt or 11617.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.net/1/1/6/1/11617 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without payin
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