r, Old Fortune-teller, Shepherd, Soldier,
Students, etc.
_In the Intermezzo_.
OBERON.
TITANIA.
ARIEL.
PUCK, ETC., ETC.
DEDICATION
Ye wavering shapes, again ye do enfold me,
As erst upon my troubled sight ye stole;
Shall I this time attempt to clasp, to hold ye?
Still for the fond illusion yearns my soul?
Ye press around! Come then, your captive hold me,
As upward from the vapory mist ye roll;
Within my breast youth's throbbing pulse is bounding,
Fann'd by the magic breath your march surrounding.
Shades fondly loved appear, your train attending,
And visions fair of many a blissful day;
First-love and friendship their fond accents blending,
Like to some ancient, half-expiring lay;
Sorrow revives, her wail of anguish sending
Back o'er life's devious labyrinthine way,
And names the dear ones, they whom Fate bereaving
Of life's fair hours, left me behind them grieving.
They hear me not my later cadence singing,
The souls to whom my earlier lays I sang;
Dispersed the throng, their severed flight now winging;
Mute are the voices that responsive rang.
For stranger crowds the Orphean lyre now stringing,
E'en their applause is to my heart a pang;
Of old who listened to my song, glad hearted,
If yet they live, now wander widely parted.
A yearning long unfelt, each impulse swaying,
To yon calm spirit-realm uplifts my soul;
In faltering cadence, as when Zephyr playing,
Fans the AEolian harp, my numbers roll;
Tear follows tear, my steadfast heart obeying
The tender impulse, loses its control;
What I possess as from afar I see;
Those I have lost become realities to me.
PROLOGUE FOR THE THEATRE
MANAGER. DRAMATIC POET. MERRYMAN
MANAGER
Ye twain, in trouble and distress
True friends whom I so oft have found,
Say, for our scheme on German ground,
What prospect have we of success?
Fain would I please the public, win their thanks;
They live and let live, hence it is but meet.
The posts are now erected, and the planks,
And all look forward to a festal treat.
Their places taken, they, with eyebrows rais'd,
Sit patiently, and fain would be amaz'd.
I know the art to hit the public taste,
Yet ne'er of failure felt so keen a dread;
True, they are not accustomed to the best,
But then appalling the amount they've read.
How make our entertainment striking, new,
And yet significant and pleasing too?
For to be plain, I love to see the throng,
As to our booth the living tide progresses;
As wave on w
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