r-palatine and
went off to Heidelberg Castle, the students came to the palace with a
piece written by Chapman, and the performance cost a thousand pounds.
A famed contemporary of Udal was Richard Mulcaster, head-master of St.
Paul's school, and afterward of Merchant Taylors', concerning whom we
have, from delightful old Fuller, this quaint and naive description:
In a morning he would exactly and plainly construe
and parse the lesson to his scholars, which
done, he slept his hour (custom made him critical
to proportion it) in his desk in the school; but woe
be to the scholar that slept the while. Awaking, he
heard them accurately; and Atropos might be persuaded
to pity as soon as he to pardon where he
found just fault. The prayers of cockering mothers
prevailed with him just as much as the requests of
indulgent fathers, rather increasing than mitigating
his severity on their offending children.
The name of this Rhadamanthus of the birch occurs twice in entries of
Elizabeth's paymaster, as receiving money for plays acted before
her; and a certain proficiency as actors possessed by students of
St. John's College at Oxford is ascribed to training given by old
Mulcaster at the Merchant Taylors' school.
But no one of the great English public schools has enjoyed so long
a fame in this regard as Westminster. According to Staunton, in his
_Great schools of England_, Elizabeth desired to have plays acted
by the boys, "Quo juventus turn actioni tum pronunciationi decenti
melius se assuescat," that the youth might be better trained in proper
bearing and pronunciation. The noted Bishop Atterbury wrote to a
friend, Trelawney, Bishop of Winchester, concerning a performance here
of Trelawney's son: "I had written to your lordship again on Saturday,
but that I spent the evening in seeing _Phormio_ acted in the
college chamber, where, in good truth, my lord, Mr. Trelawney played
Antipho extremely well, and some parts he performed admirably."
In 1695, Dryden's play of Cleomens was acted. Archbishop Markham,
head-master one hundred years ago, gave a set of scenes designed by
Garrick. In our own day, Dr. Williamson, head-master in 1828, drew
attention in a pamphlet to the proper costuming of the performers; and
when, in 1847, there was a talk of abolishing the plays, a memorial
signed by six hundred old "Westminsters" was sent in, stating it
as their "firm and deliberate belief, founded on experience and
ref
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