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e will stay here, since you prefer it so. Yet the air is sweet and the evening very fair. [ALLADINE _starts without his noticing it._] I have had flowers set along the hedges, and I should like to show them to you.... ALLADINE. No, not to-night.... If you wish me to.... I like to go there with you ... the air is pure and the trees ... but not to-night.... [_Cowers, weeping, against the old man's breast._] I do not feel quite well.... ABLAMORE. What is the matter? You are going to fall.... I will call.... ALLADINE. No, no.... It is nothing.... It is over.... ABLAMORE. Sit down. Wait.... [He runs to the folding-doors at the back and opens both. Palomides is seen, seated on a bench. He has not had time to turn away his eyes. Ablamore looks fixedly at him, without a word, then re-enters the room. Palomides rises and retreats in the corridor, stifling the sound of his footsteps. The pet lamb leaves the room, unperceived.] SCENE II.--_A drawbridge over the moats of the palace_. PALOMIDES _and_ ALLADINE, _with her pet lamb, appear at the two ends of the bridge._ KING ABLAMORE _leans out from a window of the tower_. PALOMIDES. Were you going out, Alladine?--I was coming in. I am coming back from the chase.--It rained. ALLADINE. I have never passed this bridge. PALOMIDES. It leads to the forest. It is seldom passed. People had rather go a long way around. I think they are afraid because the moats are deeper at this place than elsewhere, and the black water that comes down from the mountains boils horribly between the walls before it goes hurling itself into the sea. It roars there always; but the quays are so high you hardly notice it. It is the most deserted wing of the palace. But on this side the forest is more beautiful, more ancient, and greater than any you have seen. It is full of unusual trees and flowers that have sprung up of themselves,--Will you come? ALLADINE. I do not know.... I am afraid of the roaring water. PALOMIDES. Come, come; it roars without reason. Look at your lamb; he looks at me as if he wished to come.... Come, come.... ALLADINE. Don't call him.... He will get away. PALOMIDES. Come, come. [The lamb escapes from Alladine's hands, and comes leaping toward Palomides, but slips on the inclined plane of the drawbridge and goes rolling into the moat.] ALLADINE. What has he done?--Where is he? PA
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