e will stay here, since you prefer it so. Yet the air is sweet and
the evening very fair. [ALLADINE _starts without his noticing it._] I
have had flowers set along the hedges, and I should like to show them
to you....
ALLADINE.
No, not to-night.... If you wish me to.... I like to go there with you
... the air is pure and the trees ... but not to-night.... [_Cowers,
weeping, against the old man's breast._] I do not feel quite well....
ABLAMORE.
What is the matter? You are going to fall.... I will call....
ALLADINE.
No, no.... It is nothing.... It is over....
ABLAMORE.
Sit down. Wait....
[He runs to the folding-doors at the back and opens both.
Palomides is seen, seated on a bench. He has not had time to
turn away his eyes. Ablamore looks fixedly at him, without a
word, then re-enters the room. Palomides rises and retreats
in the corridor, stifling the sound of his footsteps. The pet
lamb leaves the room, unperceived.]
SCENE II.--_A drawbridge over the moats of the palace_. PALOMIDES
_and_ ALLADINE, _with her pet lamb, appear at the two ends of the
bridge._ KING ABLAMORE _leans out from a window of the tower_.
PALOMIDES.
Were you going out, Alladine?--I was coming in. I am coming back from
the chase.--It rained.
ALLADINE.
I have never passed this bridge.
PALOMIDES.
It leads to the forest. It is seldom passed. People had rather go a
long way around. I think they are afraid because the moats are deeper
at this place than elsewhere, and the black water that comes down from
the mountains boils horribly between the walls before it goes hurling
itself into the sea. It roars there always; but the quays are so high
you hardly notice it. It is the most deserted wing of the palace. But
on this side the forest is more beautiful, more ancient, and greater
than any you have seen. It is full of unusual trees and flowers that
have sprung up of themselves,--Will you come?
ALLADINE.
I do not know.... I am afraid of the roaring water.
PALOMIDES.
Come, come; it roars without reason. Look at your lamb; he looks at me
as if he wished to come.... Come, come....
ALLADINE.
Don't call him.... He will get away.
PALOMIDES.
Come, come.
[The lamb escapes from Alladine's hands, and comes leaping toward
Palomides, but slips on the inclined plane of the drawbridge and
goes rolling into the moat.]
ALLADINE.
What has he done?--Where is he?
PA
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