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s she permitted him of her society. The other reason was that she deluded herself into believing that her sighs and Shelley-inspired imaginings were all because of Windebank's imminent return. She thought of him every day, more especially since she had met Perigal. She often contrasted the two men in her thoughts, when it would seem as if Windebank's presence, so far as she remembered it, had affected her life as a bracing, health-giving wind; whereas Perigal influenced her in the same way as did appealing music, reducing her to a languorous helplessness. She had for so long associated Windebank with any sentimental leanings in which she had indulged, that she was convinced that her fidelity to his memory was sufficient safeguard against her becoming infatuated with Perigal. Thus she travelled along a road, blinding herself the while to the direction in which she was going. But one day, happening to obtain a glimpse of its possible destination, she resolved to make something of an effort, if not to retrace her way (she scarcely thought this necessary), to stay her steps. Perigal had told her that if he could get the sum he wanted from his father, he would shortly be going somewhere near Cardiff, where he would be engaged in the manufacture of glazed bricks with a partner. The news had frightened her. She felt as if she had been dragged to the edge of a seemingly bottomless abyss, into which it was uncertain whether or not she would be thrown. To escape the fate that threatened, she threw off her lethargy, to resume her fishing and avoid rather than seek Perigal. Perhaps he took the hint, or was moved by the same motive as Mavis, for he too gave up frequenting the meadows bordering the river. His absence hurt Mavis more than she could have believed possible. She became moody, irritable; she lost her appetite and could not sleep at night. To ease her distress of mind, she tried calling on her old friends, the Medlicotts, and her new ones, the Trivetts. The former expressed concern for her altered appearance, which only served to increase her despondency, while the music she heard at Pennington Farm told of love dreams, satisfied longings, worlds in which romantic fancy was unweighted with the bitterness and disappointment of life, as she now found it, all of which was more than enough to stimulate her present discontent. She had not seen or heard anything of Perigal for two weeks, when one July evening she happen
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