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unger of whom capered round Anne in high glee, though with a little shyness, sometimes looking upon her as a stranger, sometimes recollecting former frolics, till Elizabeth declared that it was time to dress; and Dorothea, the eldest, a quiet and considerate little maiden of seven years old, carried off Winifred and Edward to their own domains in the nursery. Elizabeth's room had been set to rights for the accommodation of the visitor, so that it suited most people's ideas of comfort better just then, than in its usual state. A number of books and papers had been cleared from the table, to leave it free for Anne's toilette apparatus, and a heap of school girls' frocks and tippets, which had originally been piled up on two chairs, but, daily increasing in number, had grown top-heavy, fallen down and encumbered the floor, had that morning been given away, so that there was at least room to sit down. Elizabeth's desk and painting box were banished to the top of her chest-of-drawers, where her looking-glass stood in a dark corner, being by no means interesting to her. Near the window was her book-case, tolerably well supplied with works both English and foreign, and its lower shelf containing a double row of brown-paper covered volumes, and many-coloured and much soiled little books, belonging to the lending library. The walls were hung with Elizabeth's own works, for the most part more useful than ornamental. There were genealogical and chronological charts of Kings and Kaisars, comparisons of historical characters, tables of Christian names and their derivations, botanical lists, maps, and drawings--all in such confusion, that once, when Helen attempted to find the Pope contemporary with Edward the First, she asked Elizabeth why she had written the Pope down as Leo Nonus Cardinal, on which she was informed, with a sufficient quantity of laughter, that the word in question was the name of a flower, Leonurus Cardiaca, looking like anything but what it was intended for in Elizabeth's writing, and that Pope Martin the Fourth was to be found on the other side of the Kings of France and Spain, and the portrait of Charles the First. The chimney-piece was generally used as a place of refuge for all small things which were in danger of being thrown away if left loose on the table; but, often forgotten in their asylum, had accumulated and formed a strange medley, which its mistress jealously defended from all attacks of housem
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