sunrise. And when one turned to the west, distinct and near
was a little bay, a little beach still in shadow. And out of that shadow
rose Solaro straight and tall, flushed and golden crested, like a beauty
throned, and the white moon was floating behind her in the sky. And
before us from east to west stretched the many-tinted sea all dotted
with little sailing boats.
"To the eastward, of course, these little boats were grey and very
minute and clear, but to the westward they were little boats of
gold--shining gold--almost like little flames. And just below us was a
rock with an arch worn through it. The blue sea-water broke to green and
foam all round the rock, and a galley came gliding out of the arch."
"I know that rock," I said. "I was nearly drowned there. It is called
the Faraglioni."
"I Faraglioni? Yes, she called it that," answered the man with the white
face. "There was some story--but that--"
He put his hand to his forehead again. "No," he said, "I forget that
story."
"Well, that is the first thing I remember, the first dream I had, that
little shaded room and the beautiful air and sky and that dear lady of
mine, with her shining arms and her graceful robe, and how we sat
and talked in half whispers to one another. We talked in whispers not
because there was any one to hear, but because there was still such a
freshness of mind between us that our thoughts were a little frightened,
I think, to find themselves at last in words. And so they went softly.
"Presently we were hungry and we went from our apartment, going by
a strange passage with a moving floor, until we came to the great
breakfast room--there was a fountain and music. A pleasant and joyful
place it was, with its sunlight and splashing, and the murmur of plucked
strings. And we sat and ate and smiled at one another, and I would not
heed a man who was watching me from a table near by.
"And afterwards we went on to the dancing-hall. But I cannot describe
that hall. The place was enormous--larger than any building you have
ever seen--and in one place there was the old gate of Capri, caught into
the wall of a gallery high overhead. Light girders, stems and threads
of gold, burst from the pillars like fountains, streamed like an Aurora
across the roof and interlaced, like--like conjuring tricks. All about
the great circle for the dancers there were beautiful figures, strange
dragons, and intricate and wonderful grotesques bearing lights. The
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