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sunrise. And when one turned to the west, distinct and near was a little bay, a little beach still in shadow. And out of that shadow rose Solaro straight and tall, flushed and golden crested, like a beauty throned, and the white moon was floating behind her in the sky. And before us from east to west stretched the many-tinted sea all dotted with little sailing boats. "To the eastward, of course, these little boats were grey and very minute and clear, but to the westward they were little boats of gold--shining gold--almost like little flames. And just below us was a rock with an arch worn through it. The blue sea-water broke to green and foam all round the rock, and a galley came gliding out of the arch." "I know that rock," I said. "I was nearly drowned there. It is called the Faraglioni." "I Faraglioni? Yes, she called it that," answered the man with the white face. "There was some story--but that--" He put his hand to his forehead again. "No," he said, "I forget that story." "Well, that is the first thing I remember, the first dream I had, that little shaded room and the beautiful air and sky and that dear lady of mine, with her shining arms and her graceful robe, and how we sat and talked in half whispers to one another. We talked in whispers not because there was any one to hear, but because there was still such a freshness of mind between us that our thoughts were a little frightened, I think, to find themselves at last in words. And so they went softly. "Presently we were hungry and we went from our apartment, going by a strange passage with a moving floor, until we came to the great breakfast room--there was a fountain and music. A pleasant and joyful place it was, with its sunlight and splashing, and the murmur of plucked strings. And we sat and ate and smiled at one another, and I would not heed a man who was watching me from a table near by. "And afterwards we went on to the dancing-hall. But I cannot describe that hall. The place was enormous--larger than any building you have ever seen--and in one place there was the old gate of Capri, caught into the wall of a gallery high overhead. Light girders, stems and threads of gold, burst from the pillars like fountains, streamed like an Aurora across the roof and interlaced, like--like conjuring tricks. All about the great circle for the dancers there were beautiful figures, strange dragons, and intricate and wonderful grotesques bearing lights. The
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