and perhaps I presume too much upon the fact.
But no, every instinct in my nature tells me that I don't bore you by my
confidences.

Can you remember Cullingworth at the University? You never were in the
athletic set, and so it is possible that you don't. Anyway, I'll take it
for granted that you don't, and explain it all from the beginning. I'm
sure that you would know his photograph, however, for the reason that he
was the ugliest and queerest-looking man of our year.

Physically he was a fine athlete--one of the fastest and most determined
Rugby forwards that I have ever known, though he played so savage a game
that he was never given his international cap. He was well-grown, five
foot nine perhaps, with square shoulders, an arching chest, and a quick
jerky way of walking. He had a round strong head, bristling with short
wiry black hair. His face was wonderfully ugly, but it was the ugliness
of character, which is as attractive as beauty. His jaw and eyebrows
were scraggy and rough-hewn, his nose aggressive and red-shot, his eyes
small and near set, light blue in colour, and capable of assuming a
very genial and also an exceedingly vindictive expression. A slight wiry
moustache covered his upper lip, and his teeth were yellow, strong, and
overlapping. Add to this that he seldom wore collar or necktie, that his
throat was the colour and texture of the bark of a Scotch fir, and that
he had a voice and especially a laugh like a bull's bellow. Then you
have some idea (if you can piece all these items in your mind) of the
outward James Cullingworth.

But the inner man, after all, was what was most worth noting. I don't
pretend to know what genius is. Carlyle's definition always seemed to me
to be a very crisp and clear statement of what it is NOT. Far from its
being an infinite capacity for taking pains, its leading characteristic,
as far as I have ever been able to observe it, has been that it allows
the possessor of it to attain results by a sort of instinct which other
men could only reach by hard work. In this sense Cullingworth was the
greatest genius that I have ever known. He never seemed to work, and yet
he took the anatomy prize over the heads of all the ten-hour-a-day
men. That might not count for much, for he was quite capable of idling
ostentatiously all day and then reading desperately all night; but
start a subject of your own for him, and then see his originality and
strength. Talk about torpedoes, and h