. "No, I can see there's a chance that way.
I've thought a good while there might be. We're in so deep now, we
might as well go deeper. But it's hard work pulling out of debt.
Like pulling a threshing-machine out of the mud; breaks your back.
Me and Lou's worked hard, and I can't see it's got us ahead much."

"Nobody knows about that as well as I do, Oscar. That's why I want
to try an easier way. I don't want you to have to grub for every
dollar."

"Yes, I know what you mean. Maybe it'll come out right. But signing
papers is signing papers. There ain't no maybe about that." He
took his pail and trudged up the path to the house.

Alexandra drew her shawl closer about her and stood leaning against
the frame of the mill, looking at the stars which glittered so
keenly through the frosty autumn air. She always loved to watch
them, to think of their vastness and distance, and of their ordered
march. It fortified her to reflect upon the great operations
of nature, and when she thought of the law that lay behind them,
she felt a sense of personal security. That night she had a new
consciousness of the country, felt almost a new relation to it.
Even her talk with the boys had not taken away the feeling that had
overwhelmed her when she drove back to the Divide that afternoon.
She had never known before how much the country meant to her. The
chirping of the insects down in the long grass had been like the
sweetest music. She had felt as if her heart were hiding down
there, somewhere, with the quail and the plover and all the little
wild things that crooned or buzzed in the sun. Under the long
shaggy ridges, she felt the future stirring.

PART II. Neighboring Fields

I

IT is sixteen years since John Bergson died. His wife now lies
beside him, and the white shaft that marks their graves gleams
across the wheat-fields. Could he rise from beneath it, he would
not know the country under which he has been asleep. The shaggy coat
of the prairie, which they lifted to make him a bed, has vanished
forever. From the Norwegian graveyard one looks out over a vast
checker-board, marked off in squares of wheat and corn; light and
dark, dark and light. Telephone wires hum along the white roads,
which always run at right angles. From the graveyard gate one can
count a dozen gayly painted farmhouses; the gilded weather-vanes
on the big red barns wink at each other across the green and brown
and yellow fields. The light steel