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f April--nearly six years to a day from the time he had left his native land. He discovered a New York almost wholly new--an experience almost inevitable, if one insists on absenting one's self even for as little as half a decade. Intimations of immense changes were borne in upon Whitaker while the steamer worked up the Bay. The Singer Building was an unfamiliar sky-mark, but not more so than the Metropolitan Tower and the Woolworth. The _Olympic_ docked at an impressive steel-and-concrete structure, new since his day; and Whitaker narrowly escaped a row with a taxicab chauffeur because the fellow smiled impertinently when directed to drive to the Fifth Avenue Hotel. A very few hours added amazingly to the catalogue of things that were not as they had been: a list so extensive and impressive that he made up his mind to maintain his incognito for a few days, until familiar with the ways of his home. He was quick to perceive that he would even have to forget most of the slang that had been current in his time, in addition to unlearning all he had picked up abroad, and set himself with attentive ears pricked forward and an open mind to master the new, strange tongue his countrymen were speaking, if he were to make himself intelligible to them--and them to him, for that matter. So he put up at the Ritz-Carlton, precisely as any foreigner might be expected to do, and remained Hugh Morten while he prowled around the city and found himself. Now and again in the course of his wanderings he encountered well-remembered faces, but always without eliciting the slightest gleam of recognition: circumstances that only went to prove how thoroughly dead and buried he was in the estimation of his day and generation. Nothing, indeed, seemed as he remembered it except the offerings in the theatres. He sat through plays on three successive nights that sent him back to his hotel saddened by the conviction that the tastes of his fellow-countrymen in the matter of amusements were as enduring as adamant--as long-enduring. Some day (he prophesied) New York would be finished and complete; then would come the final change--its name--because it wouldn't be New York unless ever changing; and when that was settled, the city would know ease and, for want of something less material to occupy it, begin to develop a soul of its own--together with an inclination for something different in the way of theatrical entertainment. But his ultimate an
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