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blistered hands ached now! How my swollen feet and ankles throbbed with pain! Every girl limped now as she crossed the floor with her towering burden, and the procession back and forth between machines and tables began all over again. Lifting and carrying and shoving; cornering and taping and lacing--it seemed as though the afternoon would never wear to an end. The whole great mill was now charged with an unaccustomed excitement--an excitement which had in it something of solemnity. There was no sign of the usual mirth and hilarity which constitute the mill's sole attraction. There was no singing--not even Angelina's "Fatal Wedding." No exchange of stories, no sallies. Each girl bent to her task with a fierce energy that was almost maddening in its intensity. Blind and dizzy with fatigue, I peered down the long, dusty aisles of boxes toward the clock above Annie Kinzer's desk. It was only two. Every effort, human and mechanical, all over the great factory, was now strained almost to the breaking-point. How long can this agony last? How long can the roar and the rush and the throbbing pain continue until that nameless and unknown something snaps like an overstrained fiddle-string and brings relief? The remorseless clock informed us that there were two hours more of this torture before the signal to "clean up"--a signal, however, which is not given until the last girl has finished her allotted task. At half-past two it appeared hopeless even to dream of getting out before the regular six o'clock. The head foreman rushed through the aisles and bawled to us to "hustle for all we were worth," as customers were all demanding their goods. "My God! ain't we hustling?" angrily shouted Rosie Sweeny, a pretty girl at the next table, who supplied most of the profanity for our end of the room. "God Almighty! how I hate Easter and Christmas-time! Oh, my legs is 'most breaking," and with that the overwrought girl burst into a passionate tirade against everybody, the foreman included, and all the while she never ceased to work. There were not many girls in the factory like Rosie. Hers were the quickest fingers, the sharpest tongue, the prettiest face. She was scornful, impatient, and passionate--qualities not highly developed in her companions, and which in her case foreboded ill if one believed Annie Kinzer's prophecy: "That Rosie Sweeny 'll go to the bad yet, you mark my words." Three o'clock, a quarter after, half-past!
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