oo much forwardness or indecorum.
It must, in the first place, be admitted that the appearances in this case
are singularly strong and striking; and so they had need be, to become the
ground of so general a censure. We see this extraordinary Character,
almost in the first moment of our acquaintance with him, involved in
circumstances of apparent dishonour; and we hear him familiarly called
_Coward_ by his most intimate companions. We see him, on occasion of the
robbery at _Gads-Hill_, in the very act of running away from the Prince
and _Poins_; and we behold him, on another of more honourable obligation,
in open day light, in battle, and acting in his profession as a Soldier,
escaping from _Douglas_ even out of the world as it were; counterfeiting
death, and deserting his very existence; and we find him, on the former
occasion, betrayed into those _lies_ and _braggadocioes_ which are the
usual concomitants of Cowardice in Military men, and pretenders to valour.
These are not only in themselves strong circumstances, but they are
moreover thrust forward, prest upon our notice as the subject of our
mirth, as the great business of the scene: No wonder, therefore, that the
word should go forth that _Falstaff_ exhibited as a character of Cowardice
and dishonour.
What there is to the contrary of this, it is my business to discover.
Much, I think, will presently appear; but it lies so dispersed, is so
latent, and so purposely obscured, that the reader must have some patience
whilst I collect it into one body, and make it the object of a steady and
regular contemplation.
But what have we to do, may my readers exclaim, with principles _so
latent_, _so obscured_? In Dramatic composition the _Impression_ is the
_Fact_; and the Writer, who, meaning to impress one thing, has impressed
another, is unworthy of observation.
It is a very unpleasant thing to have, in the first setting out, so many
and so strong prejudices to contend with. All that one can do in such
case, is, to pray the reader to have a little patience in the
commencement; and to reserve his censure, if it must pass, for the
conclusion. Under his gracious allowance, therefore, I presume to declare
it as my opinion, that Cowardice _is not_ the _Impression_ which the
_whole_ character of _Falstaff_ is calculated to make on the minds of an
unprejudiced audience; tho' there be, I confess, a great deal of something
in the _composition_ likely enough to puzzle, and cons
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