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rvice and attainment, Luigi's wavering purpose of self-sacrifice for his country's good is strengthened, the Monsignor is held back from connivance at a crime. In all these cases the external loss is as nothing compared to the gain in spiritual knowledge and energy. Contact with magnetic and superior personalities is a way of growth particularly noted by Browning. There are men, he says, who bring new feeling fresh from God, and whose life "reteaches us what life should be, what faith is, loyalty and simpleness." Pompilia says of Caponsacchi: Through such souls alone God stooping shows sufficient of his light For us i' the dark to rise by. The highest souls are "seers" in the noblest sense and they "impart the gift of seeing to the rest." But the helpful personality need not be great in knowledge or rank. In Pippa Browning emphasizes the power of unconscious goodness in clarifying the spiritual vision of others and in thus stimulating to right action. And in David he shows the power of poetic charm, innocence, and eager love to drive away from another heart a mood of black despair. But outside influences are, after all, says Browning, of secondary importance. They can, at best, do no more than stimulate and guide. When Andrea del Sarto attributes his general lowering of ideals and power to the influence of Lucrezia, he evades the real issue. Incentives must come from the soul's self. Growth is dependent on personal struggle. Man is, by his very nature, forced to try and make, else fail to grow-- Formed to rise, reach at, if not grasp and gain The good beyond him--which attempt is growth. So, also, is it better that youth should strive, through acts uncouth, Toward making, than repose on aught found made. It is in the independence and originality of such striving that the soul discovers and frees its innate potentialities. An inevitable corollary of this idea of progress is the emphasis put upon aspiration as a habit of the mind. The pursuit of an ideal, a divine discontent with present accomplishment, are enjoined upon man. The gleams of heaven on earth are not meant to be permanent or satisfying, but only to sting man into hunger for full light. When a human being has achieved to the full extent of his perceptions or aspirations, he has, thinks Browning, met with the greatest possible disaster, that of arrested development. Man's powers should ever climb new he
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