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ic itself came from the expression of their faces. And on, on, on, came the intoxicating strains, increasing in volume and excellence until I imagined that all heaven had broken loose in one great effort to charm my feeble senses, and then with a thunderous climax it ceased instantly, the musicians smiled and bowed pleasantly to one another, and then resumed their former attitudes. No mortal's pen could describe my ecstasy while listening to the music produced by this body of--I must say heavenly creatures. There was something strange and analogous about it, too, that seemed to recall a mysterious dream or vision I had once passed through. Whether it was caused by the music or the kindly expressions of love for one another on the faces of the players I know not, but nevertheless great tears spontaneously rolled down my cheeks, the first I ever recollect having shed, and at the conclusion of the piece I remained transfixed to the spot for several minutes in deep cogitation. Once more, however, my inquiring nature aroused me and I walked over toward the leader. His face was turned slightly in another direction, so I decided to step up on the platform, get squarely in front of him and look straight into his eyes. So with a light movement I sprang for the rostrum. But instead of reaching it my foot and head struck--not the platform but solid wall, and a second later I found myself in a heap on the ground. Then I started to think. Next I began to feel and finally a broad grin overspread my face, for the scene before me was not real after all, but a wonderful painting on the interior of the building. CHAPTER VI Putting my hand against the surface and walking along I discovered that this great scene which appeared to stretch away into the distance for several miles, including the trees, brook, lake, sun, clouds, sky, and everything else, was painted on the wall, ceiling and floor, of a circular room. The ceiling was arranged in the shape of a dome, while the floor made a concave connection with the wall. The whole apartment could not have been over fifty feet in diameter. The entire room was covered by one painting, and so well had the work been done that the only way I could discern the difference between the real and artistic scene was by extending my hands in front of me and feeling my way along. But what about the music? Surely I heard it, and without doubt the skilled musicians had performed their work right bef
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