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3 B.C. [114] Menant. _Les Pierres Gravees de la Haute-Asie_, p. 211 _et seq._ [115] Crespi, _Catalogo_, p. 138, No. 1. X. ETRUSCAN SCARABS. ORIGIN OF AND WHERE FOUND. COPIED FROM EGYPTIAN BUT WITH CHANGES IN SUBJECTS, SIZE AND ORNAMENTATION. THE ENGRAVING OF. WHERE USUALLY FOUND. USES BY THE ETRUSCANS. GREEK AND ROMAN SCARABS. GNOSTIC, OF THE BASILIDIANS. The archaic people of ancient Etruria did not make cameos, their gems were intaglios and were incised on the under side, on forms shaped in the model of the scarabaeus or beetle. The use of the form therefore was most likely derived from those used in the valley of the Nile. The Etruscan scarabs were however not correct representations; they were conventional and exaggerated resemblances of the insect. The Etruscan scarabaeus is found in different parts of Italy, quite frequently at Chiusi, in Tuscany, which was formerly ancient Etruria; from whence, the name Etruscan for those found in this part of Italy, has been derived. They were usually manufactured of common red sard, such as is now often met with in the beds of Italian torrents, but Etruscan scarabs have also been found made of sardonyx, cornelian, onyx and agate, also, but rarely, of chalcedony. The ancient inhabitants of Italy followed the Egyptian form in making the representation except, that the back and the wing cases of the scarab are set much higher than the Egyptian, and there is usually a raised ridge running along the junction, also the legs are cut out on the side, and a slight difference exists in the ornamentation and engraving of the wing cases. The stones have been rubbed into shape apparently by corundum. Few exceed an inch, and most are not over half an inch in length, whereas the Egyptian were from the size of our ordinary house fly to those a number of feet across. The material of the Etruscan is also always semi-transparent, except those burned which has made the sard opaque. The flat side or base was engraved with intaglio. This engraving though in early examples rude and done with the drill, was in later times, improved by the use of the wheel, diamond dust and the diamond point, and by the polishing of both the surface and the incised parts, and also, by the addition, both at the sides and around the engraved base, of an ornamental border of small strokes following each other closely, resembling in some specimens, the milling of a coin; in others,
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