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mpress's Companions. Only Rome and Constantinople contain so many imperial residences as does St. Petersburg, within whose borders we recall twelve. Some idea may be formed of the size of the Winter Palace, from the fact that when in regular occupancy it accommodates six thousand persons connected with the royal household. With the exception of the Vatican and that at Versailles, it is the largest habitable palace in the world, and is made up of suites of splendid apartments, corridors, reception saloons, banqueting rooms, galleries, and halls. Among them is the Throne Room of Peter the Great, the Empress's Reception-Room, the Grand Drawing-Room, Hall of St. George, the Ambassadors' Hall, the Empress's Boudoir, and so on. The gem of them all, however, is the Salle Blanche, so called because the decorations are all in white and gold, by which an almost aerial lightness and fascination of effect is produced. It is in this apartment that the court fetes take place; and it may safely be said that no royal entertainments in Europe quite equal those given within the walls of the Winter Palace. One becomes almost dazed by the glare of gilt and bronze, the number of columns of polished marble and porphyry, the gorgeous hangings, the carpets, mosaics, mirrors, and candelabra. Many of the painted ceilings are wonderfully perfect in design and execution; while choice works of art are so abundant on all hands as to be confusing. The famous Banqueting Hall measures two hundred feet in length by one hundred in breadth. As we came forth from the grand entrance upon the square, it was natural to turn and scan the magnificent facade as a whole, and to remember that from the gates of this palace Catherine II. emerged on horseback, with a drawn sword in her hand, to put herself at the head of her army. The Hermitage, of which the world has read and heard so much, is a spacious building adjoining the Winter Palace, with which it is connected by a covered gallery, and is of itself five hundred feet long. It is not, as its name might indicate, a solitude, but a grand and elaborate palace in itself, built by Catherine II. for a picture-gallery, a museum, and a resort of pleasure. It contains to-day one of the largest as well as the most precious collections of paintings in the world, not excepting those of Rome, Florence, or Paris. The catalogue shows twenty originals by Murillo, six by Velasquez, sixty by Rubens, thirty-three by Vandyk
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