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One crowded hour of glorious life Is worth an age without a name." Now heroism, which is performed under circumstances such as these, is heroism still. But I want to lay down the principle that such heroism is of a type inferior to that performed under the drab, uninspiring, familiar circumstances of daily life. The soldier who goes marching into battle with the flag before his eyes and wild music in his ears, is a brave man--but the sailor who leaps into the foaming sea, the miner who descends into the flaming pit, the locomotive engineer who dies at his post of duty, without so much as a single human voice, perhaps, to give him cheer, is a braver man. I always recall in this connection, as a type and symbol of what we may term the heroism of common life, a story which I read some years ago in the newspapers. It concerned two laborers, William Phelps and James Stansbury, who were one day cleaning out the inside of a large boiler at the Cerealine mills in Indianapolis. By the error of another workman, live steam was turned into the boiler before the cleaners had left it. Instantly, by a common impulse, the two men jumped for the single ladder which led to safety. Phelps got there first, but no sooner had his foot touched the rounds than he stepped aside, seized his companion and boosted him up. "You first, Jim," was his gasping cry, "you first." Pushed and thrust by his friend, Stansbury escaped, but Phelps was rescued only to die two hours later in dreadful agony. And when told, just before he died, that Jim was all right, he said, "That's good--nobody'll miss me, but Jim had the wife and the kids." It was a wise reporter who put the story on the wire, for he closed it with the words, "No soldier in the siege of Pekin or the battle of Santiago ever proved himself a greater hero." Stories of this kind might be multiplied indefinitely, but I can sum up all that I would say upon this point by describing a strange little building which I chanced to discover in an out-of-the-way corner of London some years ago. For many weeks I had been looking upon cathedrals and public buildings and city squares, where monuments to soldiers were as common as daisies in a summer field. Suddenly, on a certain morning, I came upon a little plot of grass and trees, near the great postoffice in St. Botolph's, Aldergate, which is called the "Postman's Park," and at one end of it saw the little open gallery, erected in 1887 by the
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