rty
to welcome the arrival of Beilis. One wonders that the Russian censor
should have permitted the masses to become aware that Liberty exists on
earth, if only in the form of a statue.
APPENDIX E
THE ALIEN IN THE MELTING POT
Mr. Frederick J. Haskin has recently published in the _Chicago Daily
News_ the following graphic summary of what immigrants have done and do
for the United States:
I am the immigrant.
Since the dawn of creation my restless feet have beaten new paths across
the earth.
My uneasy bark has tossed on all seas.
My wanderlust was born of the craving for more liberty and a better wage
for the sweat of my face.
I looked towards the United States with eyes kindled by the fire of
ambition and heart quickened with new-born hope.
I approached its gates with great expectation.
I entered in with fine hopes.
I have shouldered my burden as the American man of all work.
I contribute eighty-five per cent. of all the labour in the slaughtering
and meat-packing industries.
I do seven-tenths of the bituminous coal mining.
I do seventy-eight per cent. of all the work in the woollen mills.
I contribute nine-tenths of all the labour in the cotton mills.
I make nine-twentieths of all the clothing.
I manufacture more than half the shoes.
I build four-fifths of all the furniture.
I make half of the collars, cuffs, and shirts.
I turn out four-fifths of all the leather.
I make half the gloves.
I refine nearly nineteen-twentieths of the sugar.
I make half of the tobacco and cigars.
And yet, I am the great American problem.
When I pour out my blood on your altar of labour, and lay down my life
as a sacrifice to your god of toil, men make no more comment than at the
fall of a sparrow.
But my brawn is woven into the warp and woof of the fabric of your
national being.
My children shall be your children and your land shall be my land
because my sweat and my blood will cement the foundations of the America
of To-Morrow.
If I can be fused into the body politic, the Melting-Pot will have stood
the supreme test.
Afterword
I
_The Melting Pot_ is the third of the writer's plays to be published in
book form, though the first of the three in order of composition. But
unlike _The War God_ and _The Next Religion_, which are dramatisations
of the spiritual duels of our time, _The Melting Pot_ sprang directly
from the author's concrete experience as Presid
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