e has long effaced the inscriptions
On the cloister's funeral stones,
And tradition only tells us
Where repose the poet's bones.
But around the vast cathedral
By sweet echoes mutiplied[TN-12]
Still the birds repeat the legend
And the name of Vogelweid."
H. W. Longfellow, _Walter von der Vogelweid_ 186-.
=Mino'na=, "the soft blushing daughter of Torman," a Gaelic bard in the
_Songs of Selma_, one of the most famous portions of Macpherson's
_Ossian_.
=Minor= (_The_), a comedy by Samuel Foote (1760). Sir George Wealthy, "the
minor," was the son of Sir William Wealthy, a retired merchant. He was
educated at a public school, sent to college, and finished his training
in Paris. His father, hearing of his extravagant habits, pretended to be
dead, and, assuming the guise of a German baron, employed several
persons to dodge the lad, some to be winners in his gambling, some to
lend money, some to cater to other follies, till he was apparently on
the brink of ruin. His uncle, Mr. Richard Wealthy, a City merchant,
wanted his daughter, Lucy, to marry a wealthy trader, and as she refused
to do so, he turned her out of doors. This young lady was brought to Sir
George as a _fille de joie_, but she touched his heart by her manifest
innocence, and he not only relieved her present necessities, but
removed her to an asylum where her "innocent beauty would be guarded
from temptation, and her deluded innocence would be rescued from
infamy." The whole scheme now burst as a bubble. Sir George's father,
proud of his son, told him he was his father, and that his losses were
only fictitious; and the uncle, melted into a better mood, gave his
daughter to his nephew, and blessed the boy for rescuing his discarded
child.
=Minotti=, governor of Corinth, then under the power of the doge. In 1715
the city was stormed by the Turks; and during the siege one of the
magazines in the Turkish camp blew up, killing 600 men. Byron says it
was Minotti himself who fired the train, and that he perished in the
explosion.--Byron, _Siege of Corinth_ (1816).
=Minstrel= (_The_), an unfinished poem, in Spenserian metre, by James
Beattie. Its design was to trace the progress of a poetic genius, born
in a rude age, from the first dawn of fancy to the fullness of poetic
rapture. The first canto is descriptive of Edwin, the minstrel; canto
ii. is dull philosophy, and there, happily, the poem ends. It is a pity
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