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Lady Adela made a tour of the premises. The housekeeper's room pleased her immensely--at least she persuaded herself it did. "Why, it is quite as nice as any of the rooms upstairs," she said aloud, as she stood with her face to the failing sunbeams and rested her strong white hand on the edge of the table. "Quite as nice. Karl and Max, come here!" But the boarhounds for once in their lives did not obey her with a good grace. There was something in the room they did not like, and they showed how strong was their resentment by slinking unwillingly through the doorway. "I wonder why that is?" Lady Adela mused; "I have never known them do it before." Then her eyes wandered round the walls, and struggled in vain to reach the remoter angles of the room, which had suddenly grown dark. She tried to assure herself that this was but the natural effect of the departing daylight, and that, had she watched in other houses at this particular time, she would have noticed the same thing. To show how little she minded the gloom, she went up to the darkest corner and prodded the walls with her riding-whip. She laughed--there was nothing there, nothing whatsoever to be afraid of, only shadows. With a careless shrug of her shoulders, she strutted into the passage, and, whistling to Karl and Max who, contrary to their custom, would not keep to heel, made another inspection of the kitchens. At the top of the cellar steps she halted. The darkness had now set in everywhere, and she argued that it would be foolish to venture into such dungeon-like places without a light. She soon found one, and, armed with candle and matches, began her descent. There were several cellars, and they presented such a dismal, dark appearance, that she instinctively drew her skirts tightly round her, and exchanged the slender riding-whip for a poker. She whistled again to her dogs. They did not answer, so she called them both by name angrily. But for some reason (some quite unaccountable reason, she told herself) they would not come. She ransacked her mind to recall some popular operatic air, and although she knew scores she could not remember one. Indeed, the only air that filtered back to her was one she detested--a Vaudeville tune she had heard three nights in succession, when she was staying with a student friend in the Latin Quarter in Paris. She hummed it loudly, however, and, holding the lighted candle high above her head, walked down the steps. At th
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