FREE BOOKS

Author's List




PREV.   NEXT  
|<   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120  
121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   >>   >|  
arising from the combat itself, there are others also which do not essentially belong to it, but which, on account of their relationship, easily unite with it--ambition, love of power, enthusiasm of every kind, &c. &c. 18. THE IMPRESSIONS OF DANGER. (COURAGE.) Finally, the combat begets the element of danger, in which all the activities of War must live and move, like the bird in the air or the fish in the water. But the influences of danger all pass into the feelings, either directly--that is, instinctively--or through the medium of the understanding. The effect in the first case would be a desire to escape from the danger, and, if that cannot be done, fright and anxiety. If this effect does not take place, then it is COURAGE, which is a counterpoise to that instinct. Courage is, however, by no means an act of the understanding, but likewise a feeling, like fear; the latter looks to the physical preservation, courage to the moral preservation. Courage, then, is a nobler instinct. But because it is so, it will not allow itself to be used as a lifeless instrument, which produces its effects exactly according to prescribed measure. Courage is therefore no mere counterpoise to danger in order to neutralise the latter in its effects, but a peculiar power in itself. 19. EXTENT OF THE INFLUENCE OF DANGER. But to estimate exactly the influence of danger upon the principal actors in War, we must not limit its sphere to the physical danger of the moment. It dominates over the actor, not only by threatening him, but also by threatening all entrusted to him, not only at the moment in which it is actually present, but also through the imagination at all other moments, which have a connection with the present; lastly, not only directly by itself, but also indirectly by the responsibility which makes it bear with tenfold weight on the mind of the chief actor. Who could advise, or resolve upon a great battle, without feeling his mind more or less wrought up, or perplexed by, the danger and responsibility which such a great act of decision carries in itself? We may say that action in War, in so far as it is real action, not a mere condition, is never out of the sphere of danger. 20. OTHER POWERS OF FEELING. If we look upon these affections which are excited by hostility and danger as peculiarly belonging to War, we do not, therefore, exclude from it all others accompanying man in his life's journey. They will also fi
PREV.   NEXT  
|<   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120  
121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   >>   >|  



Top keywords:

danger

 

Courage

 

effect

 
understanding
 
counterpoise
 

instinct

 

present

 

threatening

 
responsibility
 

action


moment
 

preservation

 

effects

 

directly

 

sphere

 

feeling

 

physical

 

combat

 
DANGER
 

COURAGE


tenfold

 

indirectly

 

connection

 

lastly

 

weight

 

advise

 

accompanying

 

journey

 

account

 

dominates


belong

 

entrusted

 
moments
 

imagination

 

essentially

 

resolve

 

condition

 
hostility
 
arising
 

affections


FEELING

 
POWERS
 

peculiarly

 

relationship

 
belonging
 
exclude
 

battle

 

wrought

 

carries

 

decision