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The Project Gutenberg EBook of Representative Plays by American Dramatists: 1856-1911: Introduction and Bibliography, by Montrose J. Moses This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Representative Plays by American Dramatists: 1856-1911: Introduction and Bibliography Author: Montrose J. Moses Release Date: April 15, 2004 [EBook #12038] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK AMERICAN PLAYS 3 *** Produced by David Starner and the Online Distributed Proofreading Team Representative Plays by American Dramatists Edited, with an Introduction to Each Play By MONTROSE J. MOSES 1856-1911 Illustrated with Portraits, and Original Playbills 1921 To BRANDER MATTHEWS Friend of the American Theatre To whom all Critics of the Theatre are beholden. Table of Contents Introduction. Bibliographies. Rip Van Winkle: A Legend of the Catskills. A Comparative Arrangement with the Kerr Version. By Charles Burke. 1850 Francesca da Rimini. By George Henry Boker. 1855 Love in '76. An Incident of the Revolution. By Oliver Bell Bunce. 1857 Paul Kauvar; or, Anarchy. By Steele Mackaye. 1887 Shenandoah. By Bronson Howard. 1888 In Mizzoura. By Augustus Thomas. 1893 The Moth and the Flame. By Clyde Fitch. 1898 The New York Idea. By Langdon Mitchett. 1906 The Easiest Way. By Eugene Walter. 1909 The Return of Peter Grimm. By David Belasco. 1911 The Authors and Their Plays. INTRODUCTION The present volume of "Representative Plays by American Dramatists" includes many hitherto unpublished manuscripts. These are for the first time made available in authoritative form to the student of the American theatre. The Editor has tried consistently to adhere to his original basis of selection: to offer only those texts not generally in circulation and not used elsewhere in other anthologies. Exactions of copyright have sometimes compelled him to depart from this rule. He has been somewhat embarrassed, editorially, by the ungenerous haste with which a few others have followed closely in his path, even to the point of reproducing plays which were known to be scheduled for this collection. For that re
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