ell the queen, then." replied Diane, "that her reign is not yet
come; that I am mistress still over her and the kingdom as long as the
king breathes the breath of life."

The chateau of Chenonceaux, so greatly coveted by Catherine when she
first came to France, and when it was in the possession of Diane,
still remains in all the regal splendor of its past. It lies in the
lovely valley of the Cher, far from the rush and turmoil of cities and
even the continuous traffic of great thoroughfares, for it is on the
road to nowhere unless one is journeying crosscountry from the lower
to the upper Loire. This very isolation resulted in its being one
of the few monuments spared from the furies of the Revolution, and,
"half-palace and half-chateau," it glistens with the purity of its
former glory, as picturesque as ever, with turrets, spires, and
roof-tops all mellowed with the ages in a most entrancing manner.

Even to-day one enters the precincts of the chateau proper over a
drawbridge which spans an arm of the Loire, or rather, a moat which
leads directly from the parent stream. On the opposite side are the
bridge piers supporting five arches, the work of Diane when she was
the fair chatelaine of the domain. This ingenious thought proved to
be a most useful and artistic addition to the chateau. It formed a
flagged promenade, lovely in itself, and led to the southern bank of
the Cher, whence one got charming vistas of the turrets and roof-tops
of the chateau through the trees and the leafy avenues which converged
upon the structure.

When Catherine came she did not disdain to make the best use of
Diane's innovation that suggested itself to her, which was simply to
build the Long Gallery over the arches of this lovely bridge, and so
make of it a veritable house over the water. A covering was made quite
as beautiful as the rest of the structure, and thus the bridge formed
a spacious wing of two stories. The first floor--known as the Long
Gallery--was intended as a banqueting-hall, and possest four great
full-length windows on either side looking up and down the stream,
from which was seen--and is to-day--an outlook as magnificently
idyllic as is possible to conceive. Jean Goujon had designed for the
ceiling one of those wonder-works for which he was famous, but if the
complete plan was ever carried out, it has disappeared, for only a
tiny sketch of the whole scheme remains to-day.

Catherine came in the early summer to take po