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me luncheon.' 'Ah, that's all very well!' sobbed Avice. 'B-b-but if you had been m-married so long as I have, y-you wouldn't say go back like that!' 'What is it all about?' inquired Pierston. 'He said that if he were to die I--I--should be looking out for somebody with fair hair and grey eyes, just--just to spite him in his grave, because he's dark, and he's quite sure I don't like dark people! And then he said--But I won't be so treacherous as to tell any more about him! I wish--' 'Avice, your mother did this very thing. And she went back to her husband. Now you are to do the same. Let me see; there is a train--' 'She must have something to eat first. Sit down, dear.' The question was settled by the arrival of Henri himself at the end of luncheon, with a very anxious and pale face. Pierston went off to a business meeting, and left the young couple to adjust their differences in their own way. His business was, among kindred undertakings which followed the extinction of the Well-Beloved and other ideals, to advance a scheme for the closing of the old natural fountains in the Street of Wells, because of their possible contamination, and supplying the townlet with water from pipes, a scheme that was carried out at his expense, as is well known. He was also engaged in acquiring some old moss-grown, mullioned Elizabethan cottages, for the purpose of pulling them down because they were damp; which he afterwards did, and built new ones with hollow walls, and full of ventilators. At present he is sometimes mentioned as 'the late Mr. Pierston' by gourd-like young art-critics and journalists; and his productions are alluded to as those of a man not without genius, whose powers were insufficiently recognized in his lifetime. End of the Project Gutenberg EBook of The Well-Beloved, by Thomas Hardy *** END OF THIS PROJECT GUTENBERG EBOOK THE WELL-BELOVED *** ***** This file should be named 3326.txt or 3326.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/3/2/3326/ Produced by Les Bowler Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules,
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