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y. I shall never forget that evening when I first entered Williamstown, riding on the top of the North Adams stage. The September rains had been abundant, and the meadows and slopes were at their greenest; the atmosphere was as nearly transparent as we are apt to see it; the sun was just sinking behind the Taconics, and the shadows were creeping up the eastern slopes of Williams and Prospect; as we paused on the little hill beyond Blackinton the outline of the Saddle was defined against a sky as rich and deep as ever looked down at sunset on Naples or Palermo. I thought then that I had never seen a lovelier valley, and I have had no occasion to revise that judgment. To a boy who had seen few mountains that hour was a revelation. On the side of the picturesque, the old way of transportation was better than the new. The boy who is dumped with his trunks at the station near the factory on the flat gets no such abundant entrance into Williamstown as was vouchsafed to the boy who rode in triumphantly on the top of Jim Bridges' stage. The wide old street was as hospitable then as now; if the elms were something less paternal in their benediction their stature was fair and their shade was ample; but the aspect of the street--how greatly changed since then! There were two or three fine old colonial houses, which are standing now and are not likely to be improved upon; but most of the dwellings were of the orthodox New England village pattern, built, I suppose, to square with the theology of the Shorter Catechism, or perhaps with the measurements of the New Jerusalem, the length and breadth and height of which are equal. The front yards were all enclosed with fences, none of which were useful and few of which were ornamental. The broad-shouldered old white Congregational meeting-house stood at the top of the street in Field Park; it was the goal of restless Sophomores for several hours every Sunday, and it was also the goal of all ambitious contestants for college honors. Griffin Hall was then chapel, museum, laboratories, and recitation-rooms; East, South, and West Colleges, with Kellogg Hall, on the West lawn,--"factories of the muses," in Lowell's expressive phrase,--stood forth in their naked practicality much as they stand to-day. Lawrence Hall library, in its earlier, wingless character of colossal ink-pot, Jackson Hall[2] and the little magnetic observatory, still standing, completed the catalogue of the college building
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