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The Project Gutenberg EBook of The Mirror of Literature, Amusement, and Instruction, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Mirror of Literature, Amusement, and Instruction Vol. 12, Issue 330, September 6, 1828 Author: Various Release Date: March 1, 2004 [EBook #11389] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK MIRROR OF LITERATURE, NO. 330 *** Produced by Jonathan Ingram, Keith M. Eckrich, David King, and the Online Distributed Proofreading Team THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION. VOL. 12, No. 330.] SATURDAY, SEPTEMBER 6, 1828. [PRICE 2d. WHY ARE NOT THE ENGLISH A MUSICAL PEOPLE? We cannot help it.--_Massinger's Roman Actor._ Astronomy, music, and architecture, are the floating topics of the day; on the second of these heads we have thrown together a few hints, which may, probably prove entertaining to our readers. The English are not--you know, reflective public--a musical people; this has been said over and over again in the musical and dramatic critiques of the newspapers. True it is that we have no _national music_, like our neighbours the Welsh, the Irish, or the Scotch; for our music, like out language, is a mere _riccifamento_, stolen from every nation in Europe. But our king (God bless him) is an excellent musician, and plays the violoncello most delightfully; and we have an Academy of Music. Then we have an Italian Theatre that burns the feet and fingers of all who meddle with its management--witness, Mr. Ebers, who, by being "married" to sweet sounds, lost the enormous sum of 47,000_l_.--it must be owned, an unfortunate match, or as Dr. Franklin would have said, "paying rather too dear for his whistle." We have too an _English Opera House_, where scarcely any but _foreign_ music is heard, and which, to the ever-lasting credit of its management, has transplanted from the warm climes of the south to our ungenial atmosphere, some of the finest compositions in the continental schools of modern music. Success has, however, attended most of their enterprises; for the taste of the English for foreign music is by no means a modern mania. From Pepys's _Diary_ we
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