d prefer a visit to
Stratford, _alone_, unless it were with some garrulous old guide to
entertain us with his or her reminiscences.

This brings us to _Charlecote Hall_, one of the Shakspearean relics. It
consists of a venerable mansion, situated on the banks of the Avon,
about four miles from Stratford, and built in the first year of the
reign of Elizabeth, by Sir Thomas Lucy;

"A parliamente member, and justice of peace.
At home a poor scare-crow, at London an asse,"

and so well known as the prosecutor of Shakspeare.[1]

The principal front, here represented, assumes, in its ground plan, the
form of the letter E--said to have been intended as a compliment to the
queen, who, as appears from the Black Book of Warwick, visited this
place in 1572.

[1] At Stratford, the family maintain that Shakspeare stole Sir
Thomas Lucy's buck, to celebrate his wedding-day, and for that
purpose only. But, in that age, when half the country was
covered with forests, deer-stealing was a venial offence, and
equivalent to snaring a hare in our days.

The above is copied from one of a Series of Views illustrative of the
Life of Shakspeare, drawn and etched by Mr. W. Rider, of Leamington.
These engravings are five in number, but the artist explains that he has
selected such subjects only, "as from tradition, or more certain record,
might fairly be presumed to bear direct relation to the life of the
poet. But while he regrets that the number of authenticated subjects are
so few, he feels that from innovation or decay, they are almost hourly
becoming fewer; and is, therefore, prompted to secure the few remnants
left, while they are yet within his reach."

There is no doubt that the grounds around Charlecote Hall, were the
early haunts of SHAKSPEARE; and that in the house itself sat the
magisterial authority, before which he was doomed to meet the charges,
to which his youthful indiscretions had rendered him liable; and, as it
remains, to the present time, for the most part, unaltered, and
_presents to the spectator of the present day the same image that was
often, and under such peculiar circumstances, impressed on the eye of
our_ SHAKSPEARE, it cannot but be regarded with the most intense
interest by all his admirers.

In conclusion, we would recommend the illustrators of Shakspeare to
possess themselves of a set of Mr. Rider's "Views;" whilst the visiter
of Stratford-upon-Avon would do well to lay a copy in