"Phil--" he faltered.
"Perhaps they haven't the telegram," Mr. Martin said. "We'll have to
wait around."
"They might be at the Maestro's," Kirk said suddenly. "Come--run
quick--I'll show you the way. There's a hole in the hedge--are you too
big to get through?"
"I think not," said the mate.
In the Maestro's library, Felicia leaned suddenly upon the piano. "Ken,"
she said, breathing hard, "something's going to happen--something!"
"What more can happen?" Ken said gently.
"But--oh, please! _Do_ something--I don't know--"
"Poor child!" murmured the Maestro. "Sit here, Felicia. Help her, Ken."
"I don't need help," said Phil. "Oh, you think I'm mad, I suppose. I'm
not. Ken--please go and look out--go to the house. Oh, Kirk!"
The Maestro shook his head and put a hand on Felicia's shoulder.
"Better go, Ken," he said quietly.
Kenelm stepped upon the terrace. Through the long window, which he left
open behind him, a joyous voice came quite clearly to the library.
"And this is the poor empty pool that I told you about, that never has
had any water in it since then--and aren't we at the terrace steps now?"
Felicia vowed afterward that she didn't faint. Yet she had no clear
recollection of seeing Kirk between the time when she saw him drop the
hand of the tall, strange man and run up the steps, and when they all
were standing around her in the library, looking a little grave.
"Phil--Phil!" Kirk was saying then. "Oh, aren't you glad to see me at
_all_? It's me--oh, _Phil_!"
His eager hands sought her face, to be sure it was she, so strange and
quiet.
"Just a minute, lamb," she heard Ken say, with a hand on Kirk's
shoulder. "Phil doesn't feel quite right."
Then warm, delicious life rushed over her, and she could move again and
fling her trembling arms around Kirk. She and Ken and the Maestro all
managed to embrace Kirk at once, so that they embraced each other, too.
And Ken was not ashamed of his tears, nor was the Maestro.
The ex-mate of the _Celestine_ stood discreetly on the terrace,
whistling to himself. But he was not whistling the song about his hat.
No, it was a little plaintive air, dimly familiar, Ken thought. Where
had he heard it before? And why was the Maestro straightening with a
stricken face, from Kirk?
[Illustration: "Phil--Phil!" Kirk was saying then.]
CHAPTER XV
MARTIN!
"Roses in the moonlight,
To-night all thine."
That was the tune, to be sure! The Mae
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