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The Project Gutenberg EBook of Quaint Epitaphs, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Quaint Epitaphs Author: Various Release Date: September 5, 2007 [EBook #22518] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK QUAINT EPITAPHS *** Produced by Bryan Ness and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) Transcriber's Notes Non-standard spellings, typos and non-standard punctuation have been left as they appear in the original, except in a few cases where standardization was needed for clarity. * * * * * "Quaint Epitaphs" COLLECTED BY SUSAN DARLING SAFFORD. COPYRIGHT, 1895, BY SUSAN DARLING SAFFORD. ALFRED MUDGE & SON, PRINTERS, 24 FRANKLIN STREET, BOSTON. INTRODUCTION. This collection of epitaphs was started in a very modest fashion about thirty-five years ago, when the compiler found great pleasure in searching all the graveyards near her Vermont home for quaint inscriptions upon old tombstones. It was neither a morbid curiosity nor a spirit of melancholy that attracted her to the weather-beaten slabs of marble and slate, but rather a fondness for studying human eccentricity as revealed in whimsical epitaphs. In almost every graveyard one can find "Some frail memorial still erected nigh, With uncouth rhymes and shapeless sculpture decked" and these have given many hours of pleasure to one who finds in such sombre elegies of the dead most interesting reflections of the living. As the only purpose of carrying on such odd researches was to satisfy a fondness for freakish ingenuity, much less interest was found in the thousands of amusing epitaphs that are penned by writers for comic papers or by wags in general. Fictitious inscriptions lack the charm of authenticity, which in the case of epitaphs is decidedly more desirable than imagination. All selections which could not be definitely located are classed by themselves, but many of these are known to have actually existed, though for varying reas
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