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rful thing! It is to a man what clouds and mists are to a land! Without them, there is only arid desert--with too many, there are storm and endless rain and dreary winds. He had the storms and rain and winds in his life--but over all he had the genius! The masters knew that before they had criticized him six months. In a year, they stood abashed before him." "Go on, please!" prompted Duska, in a soft voice of sympathetic interest. "He dreaded notoriety, he feared fame. He never had a photograph taken, and, when it was his turn to pose in the sketch classes, where the students alternate as models for their fellows, his nervousness was actual suffering. To be looked at meant, for him, to drop his eyes and find his hands in his way--the hands that could paint the finest pictures in Europe!" "To understand his half-mad conduct, one must understand his half-mad genius. To most men who can command fame, the plaudits of clapping hands are as the incense of triumph. To him, there was but the art itself--the praise meant only embarrassment. His ideal was that of the English poet--a land where '--only the Master shall praise us, and only the Master shall blame: And no one shall work for money and no one shall work for fame.' That was what he wished, and could not have in Paris. "It was in painting only that he forgot himself, and became a disembodied magic behind a brush. When a picture called down unusual comment from critics and press, he would disappear--remain out of sight for months. No one knew where he went. Once, I remember, in my time, he stayed away almost a year. "He knew one woman in Paris, besides the models, who were to him impersonal things. Of that one woman alone, he was not afraid. She was a pathetic sort of a girl. Her large eyes followed him with adoring hero-worship. She was the daughter of an English painter who could not paint, one Alfred St. John, who lodged in the rear of the floor above. She herself was a poet who could not write verse. To her, he talked without bashfulness, and for her he felt vast sorrow. Love! _Mon dieu_, no! If he had loved her, he would have fled from her in terror! "But she loved him. Then, he fell ill. Typhoid it was, and for weeks he was in his bed, with the papers crying out each day what a disaster threatened France and the world, if he should die. And she nursed him, denying herself rest. Typhoid may be helped by a physician, but the pati
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