ce. In a word, I fell over head and ears in love with Enid, and
in that state I have remained ever since. Of all the crosses that I have
to bear the knowledge that I love Enid and that she loves--and
despises--me, is by far the heaviest. But I don't want to dwell upon
ythat."

"We were a very happy party there until Van Sneck and Von Gulden turned
up. Enid and I had come to an understanding, and, though we kept our
secret, we were not going to do so for long. From the very first Von
Gulden admired her. He was a handsome, swaggering soldier, a
good-looking, wealthy man, who had a great reputation for gallantry, and
something worse. Perhaps the fellow guessed how things lay, for he never
troubled to conceal his dislike and contempt for me. It is no fault of
mine that I am extremely sensitive as to my personal appearance, but Von
Gulden played upon it until he drove me nearly mad. He challenged me
sneeringly to certain sports wherein he knew I could not shine; he
challenged me to ecarte, where I fancied I was his master.

"Was I? Well, we had been dining that night, and perhaps too freely, for
I entirely lost my head before I began the game in earnest. Those covert
sneers had nearly driven me mad. To make a long story short, when I got
up from the table that night, I owed my opponent nearly L800, without the
faintest prospect of paying a tenth part of it. I was only a poor,
ambitious young man then, with my way to make in the world. And if that
money were not forthcoming in the next few days I was utterly ruined."

"The following morning the great discovery was made. The Van Sneck I have
alluded to was an artist, a dealer, a man of the shadiest reputation,
whom my patron, Lord Littimer, had picked up. It was Van Sneck who
produced the copy of 'The Crimson Blind.' Not only did he produce the
copy, but he produced the history from some recently discovered papers
relating to the Keizerskroon Tavern of the year 1656, which would have
satisfied a more exacting man than Littimer. In the end the Viscount
purchased the engraving for L800 English.

"You can imagine how delighted he was with his prize--he had secured an
engraving by Rembrandt that was absolutely unique. Under more favourable
circumstances I should have shared that pleasure. But I was face to face
with ruin, and therefore I had but small heart for rejoicing.

"I came down the next morning after a sleepless night, and with a wild
endeavour to scheme some way of ge