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ing brought from Cappadocia, and says that it was as hard as marble, white and translucent, cxxiv. c. 22. [832] See note to c. xvii. [833] The guilt imputed to them was atheism and Jewish (Christian?) manners. Dion, lxvii. 1112. [834] See VESPASIAN, c. v. [835] Columella (R. R. xi. 2.) enumerates dates among the foreign fruits cultivated in Italy, cherries, dates, apricots, and almonds; and Pliny, xv. 14, informs us that Sextus Papinius was the first who introduced the date tree, having brought it from Africa, in the latter days of Augustus. [836] Some suppose that Domitilla was the wife of Flavius Clemens (c. xv.), both of whom were condemned by Domitian for their "impiety," by which it is probably meant that they were suspected of favouring Christianity. Eusebius makes Flavia Domitilla the niece of Flavius Clemens, and says that she was banished to Ponza, for having become a Christian. Clemens Romanus, the second bishop of Rome, is said to have been of this family. [837] A.U.C. 849. [838] See c. v. [839] The famous library of Alexandria collected by Ptolemy Philadelphus had been burnt by accident in the wars. But we find from this passage in Suetonius that part of it was saved, or fresh collections had been made. Seneca (de Tranquill. c. ix. 7) informs us that forty thousand volumes were burnt; and Gellius states that in his time the number of volumes amounted to nearly seventy thousand. [840] This favourite apple, mentioned by Columella and Pliny, took its name from C. Matius, a Roman knight, and friend of Augustus, who first introduced it. Pliny tells us that Matius was also the first who brought into vogue the practice of clipping groves. [841] Julia, the daughter of Titus. End of the Project Gutenberg EBook of Titus Flavius Domitianus (Domitian) by C. Suetonius Tranquillus *** END OF THIS PROJECT GUTENBERG EBOOK TITUS FLAVIUS DOMITIANUS *** ***** This file should be named 6397.txt or 6397.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/6/3/9/6397/ Produced by Tapio Riikonen and David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without p
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