himself to be the
creator of the Demeter, he had been seriously troubled by the praise of
so many critics, because it had exposed him to the suspicion of having
become faithless to his art and his nature. In the name of the dead, he
thanked his dear comrades for the enthusiastic appreciation his
masterpiece had found. Honour to Myrtilus and his art, but he trusted
this noble festal assemblage would pardon the unintentional deception,
and aid his prayer for recovery. If it should be granted he hoped to show
that Hermon had not been wholly unworthy to adorn himself for a short
time with the wreaths of Myrtilus.

When he closed, deep silence reigned for a brief interval, and one man
looked at another irresolutely until the hero of the day, gray-haired
Euphranor, rose and, leaning on the arm of his favourite pupil, walked
through the centre of the arena to the stage, mounted it, embraced Hermon
with paternal warmth, and made him happy by the words: "The deception
that has fallen to your lot, my poor young friend, is a lamentable one;
but honour to every one who honestly means to uphold the truth. We will
beseech the immortals with prayers and sacrifices to restore sight to
your artist eyes. If I am permitted, my dear young comrade, to see you
continue to create, it will be a source of joy to me and all of us; yet
the Muses, even though unasked, lead into the eternal realm of beauty the
elect who consecrates his art to truth with the right earnestness."

The embrace with which the venerable hero of the festival seemed to
absolve Hermon was greeted with loud applause; but the kind words which
Euphranor, in the weak voice of age, had addressed to the blind man had
been unintelligible to the large circle of guests.

When he again descended to the arena new plaudits rose; but soon hisses
and other signs of disapproval blended with them, which increased in
strength and number when a well known critic, who had written a learned
treatise concerning the relation of the Demeter to Hermon's earlier
works, expressed his annoyance in a loud whistle. The dissatisfied and
disappointed spectators now vied with one another to silence those who
were cheering by a hideous uproar while the latter expressed more and
more loud the sincere esteem with which they were inspired by the
confession of the artist who, though cruelly prevented from winning fresh
fame, cast aside the wreath which a dead man had, as were, proffered from
his tomb.

Pr