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a, under the orders of Pontius the architect. And till long past midnight not a quarter of an hour passed in which the people whom the architect had summoned to his aid were not knocking at the harbor gates, which, though not locked were all guarded. The little house belonging to the gate-keeper was also brightly lighted up; the birds and cats belonging to the old woman whom the prefect and his companions had found slumbering by her wine-jar, were now fast asleep, but the little dogs still flew loudly yelping into the yard each time a new-comer entered by the open gate. "Come, Aglaia, what will folks think of you? Thalia, my beauty, behave like a good dog; come here, Euphrosyne, and don't be so silly!" cried the old lady in a voice which was both pleasant and peremptory, as she stood-wide awake now-behind her table, folding together the dried clothes. The little barking beasts who were thus endowed with the names of the three Graces did not trouble themselves much about her affectionate admonitions; to their sorrow, for it happened more than once to each of them, when they had got under the feet of some new-comer, to creep, whining and howling, into the house again to seek consolation from their mistress, who would pick up the sufferer and soothe it with kisses and coaxing. The old lady was no longer alone, for in the background, on a long and narrow couch which stood in front of the statue of Apollo, lay a tall, lean man, wearing a red chiton. A little lamp hanging from the ceiling threw a dull light on him and on the lute he was playing. To the faint sound of the instrument, which was rather a large one, and which he had propped on the pillow by his side, he was singing, or rather murmuring a long ditty. Twice, thrice, four times he repeated it in the same way. Now and again he suddenly let his voice sound more loudly--and though his hair was quite grey his voice was not unpleasing--and sang a few phrases full of expression and with artistic delivery; and then, when the dogs barked too vehemently, he would spring up, and with his lute in his left-hand and a long pliable rattan in his right, he would rush into the court-yard, shout the names of the dogs, and raise his cane as if he would kill them; but he always took care not to hit them, only to beat on the pavement near them. When, returning from such an excursion, he stretched himself again on his couch, the old woman, pointing to the hanging-lamp which the impat
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